Blighted

A droplet, a bead of rich, earthy red jiggling atop a silvery sheet; it smears when my finger presses it, and leaves a mark on my glove, more permanent than the mark it leaves on stainless steel. I regard it, the stain upon the latex that shields my thumb, the strange glisten upon the faint pattern of mottled texture meant to improve the grip of the thing between me and my intention.

“Did you hear me, Serena?”

I look up from the dark blotch and regard another sort of grime. Marco leers at me, his thumbs stuffed into his pockets, his elbows swinging with some variety of body language punctuation. I stare at his greasy browline, trace the path of a single bead of oily sweat as it finds its way with considerable inevitability to his eyebrow, before sinking to his eyelash. I can feel his frustration as sweat mingles with the moistness of his eye, and he is drawn from his ire with me to fidget with his eyelid, tugging and blinking, trying to dispel the itchy sensation. I take this moment to answer his prodding.

“Yes, Marco. I heard you.”

“I don’t believe- damn, fucker- I don’t believe you, Lamia. You listen to ghosts better than you listen- shit, my fucken eye- better than you listen to me, or Ratty, or even Captain.”

I shrug and lean forward, laying my hands on the bloody pedestal of the steel operating table. My face inches closer to his, and I see him become less concerned with the pain he has developed in his eye, and more confounded by the confusion as to whether he is aroused or unnerved. I know him. He is a womanizer, a man proud of how many places he has pierced, eager to feel a tongue on him. But he knows me almost as well, and so elects to lean back, easing off. I humor him, however.

“Four more this week, same as usual, get Mickey to handle the goods. Nothing new in that, Marco, other than your insistence that I need to hear it from you directly. Should I expect Julia to come through my door soon, given how much you’ve taken to visiting me?”

He shudders and rubs his neck with one hand, the other back at his belt loops, tugging at a ratty bit of denim. I glance down in mock appraisal, then scowl at him. I know full well that he struggles to understand a woman he doesn’t see as meat. My comment about Julia, his favorite hanger-on, doesn’t bother him so much as the implication that he might desire me carnally; although it might be his complicated feelings about that idea that really bother him. I have to be careful, or he might learn what love really means, and I have no time for whatever method he uses to explore that concept. He finds words as I lean away again.

“Just doing as Captain says, you know that, L.”

I scoff, half at his use of the initial for my nickname, half at the feeble excuse. Marco is not nearly familiar enough to use pet names with any sincerity. Even the Captain treats me with the same business-like attitude he gives his muscle. I am just another tool, and Marco has to learn that lesson himself. I smile, and give a mocking, sympathetic tilt of my head.

“Oh, I get it. Boss man wants you to see how the sausage is made. Sent you down thinking I’d still be working when you showed up.”

I mime disappointment.

“Damn, I should’ve taken my time. I could’ve given you a proper tutorial, maybe you could have helped me crack the ribs.”

Marco looks pale, and is quite still. Any thoughts of salacious acts have been shoved out of his head by a piston of envisioned morbidity. He doesn’t know my work well enough to know that I use a saw, not brute strength. I can almost imagine the way Captain will laugh at my jab when Marco inevitably brings it up over dinner. Marco will feel embarrassed, annoyed, and- ah hell. He’ll have the excuse to visit again.

I wipe the smile from my face and make a shooing motion with my hand.

“Go on, I’m wrapping up for the day, and I don’t need a body that still moves getting in the way. If you want to stay, grab a sponge and a bucket.”

He does not wish to stay. Interesting I may be, and familiar with death he may be, our worlds are not compatible. To him, once a person becomes a body, he has no business with them. He is a mess maker. I only have business with a person after their last breath.

I watch him retreat up the stairs, muttering under his breath, before I let my shoulders slump and turn to the sink. I glimpse my reflection in the smudged mirror above the receptacle. Dark blood down my apron, my surgical mask hanging at my neck, my black hair up in a braid, the silver spikes in my ears. All is distorted, and my black lips are like a plum bitten at uneven intervals. I am impressed with Marco for managing to still find warmth when regarding me.

/////

I close the door to my apartment and twist the lock, shoving the deadbolt into place. Electronic music throbs from the ceiling above me, a sound that has all but faded from my notice by now. I toss my bag over a waist-high wall onto the only couch in my living area. The kitchen, my destination, is near.

I kick my sneakers off and open the fridge, staring steadily at a half-full bottle of hard cider, then a white takeout container. I grab the latter, then the former, and shut the door with my hip. The food I toss into the microwave for an irrelevant amount of time, and the bottle I set down on a folded paper towel on my square table. Real wood. Sealed ages ago. My eyes drift, and I let them find the window, flitting around the yellow and pale blue lights of a city that knows itself a little too little, and all too well. The lambs are too hopeful, the wolves are too hungry, and I’m too cold by far. The microwave hums, then beeps, and I depart from the gruesome spectacle of another steaming orange sunrise to engage with my dinner.

Fried rice, bean sprouts, egg, unidentifiable near-cubes of overcooked meat. Familiar, forgettable.

Marco is an idiot. He’s a heap of witless obedience that strives to be more. He wants to live, the fool. He ought to find his serenity in his countless conquests, but perhaps he has become too familiar with the sensation of putting lead or genetic material in a warm body, as I have become used to the half-warm rice that I barely chew before swallowing. Maybe he looks at me and sees change. He really should know better. Unfortunately, he’s smart enough to feel boredom, but not smart enough to endure it. I suspect Captain keeps him around for entertainment, the suspense. When will the proud hound slip up, screw the wrong neighbor’s poodle? It’s hardly Marco’s fault, I suppose. He’s surely almost as many nerves in his balls as neurons in his skull.

In a certain sense, pestering me is possibly his wisest option. I should give him that much credit, at least. Captain probably doesn’t even think I’m capable of lust, let alone intimacy. He surely does not see me through the eyes of surrogate fatherhood; no one could and still let me do what I do. No, if Marco finds himself chasing me, his biggest concern is what I do to him; Captain doesn’t even enter the equation from his perspective.

“Fuck you, Marco. Go back to chasing tail, even if it’s your own.”

I sip the cider and sigh, slumping down into my chair. Tomorrow, I suspect, will be a long day. I have no doubt that I will see him again. If I’m lucky, it will be with a bonesaw in my hand, and a body on my table. At least then I can ignore him.

//////

No saw, no body, one Marco, thumbs at their stations in his pockets, eyes wandering. I curse my luck. I curse his glandular zeal. I curse his pathetic courtship.

“Pretty mean of you, L.”

“What is?”

Pretending to be engrossed with the charts on my clipboard, I tally and re-tally the large cabinets along the south wall. Pretty empty. Four new guests are coming to board soon, so I’ve been told. Marco follows me from the other side of the room, a little too obviously avoiding the wall that promises, with its handles, hinges, and shiny doors, to hold death and decay.

“Lyin’ to me like that. Cracking ribs, really?”

Despite myself, I glance over my shoulder at him. I can see the joy in his eyes at my mistake. No matter. Words are already leaving my lips.

“Marco, just because I use tools to do my work doesn’t make it more tidy. Have you ever smelled a perforated bowel? Held an intestine? Seen a smoker’s lungs?”

My last poke is particularly effective. Marco is, himself, a smoker. I savor the accidental empathy, the idea of seeing himself in the dissected, imagined carcass. He shows considerable grit, swallowing his discomfort. I’ll give him points for that.

“Serena.”

I sigh and press the clipboard down onto a wheeled side table and relent, turning to face him fully. I haven’t even bothered to don my apron yet. He’s not green, he’s a seasoned killer. I’ll show him at least the respect that demands of me. He touches a scalpel, and I bite back annoyance.

“Do you really… enjoy this? I mean, it can’t be… fun.”

I fold my arms and glare just a little, before entertaining his thoughts, bringing them along on a motivated jog towards their inevitable conclusion.

“Okay Marco, do you have fun putting holes in people? When Captain gives you a name, are you glad to load bullets and burn rubber?”

He thinks. Once more credit to the poor fool, he has something resembling a brain between his ears, and can actually think before responding. Maybe I wrote him off too soon, Captain must have some hope this hound can learn the important tricks.

“It’s not fun, no. But it’s the job, right? Is that how it is, then? You do it because you have to?”

I bite my lip and turn away. There’s no need. I really have no need to upset his worldview. I stare at one of the cabinets, one that has a smudged nametag for now.

“That’s half of it, yes.”

I turn back and give him just a few more points, this time in spoken words.

“You do what you do because it’s your job, yes? But you only get a job because you’re good at it. Boss man wouldn’t bring you on unless you had a genuine talent for dispensing with other people’s lives. I don’t get four more this week unless you, Ratty, and Nick bring them in. Yes?”

He gets it. What’s more, to my annoyance, He also seems to understand why I’m different in his view. I make a silent prayer that he leaves it at that; that he sees clearly enough to separate his frustrating knack for passion from his curiosity about my talents. That I am adept with the knife ought to be enough to hold him and his instincts at bay. Self preservation is an instinct too.

Our ruminations are not to last. Ratty comes through the side door, hauling a black bag. Ratty. A hairy man that might be more a case of hair that grew skin. He is as much canvas coat and scarf as he is creature. He lugs the body in, and lays it on my table and turns to leave. I like Ratty. He doesn’t care for words, doesn’t leave you sure that he knows how to use them. Frankly, I’d sooner let Ratty into my apartment than Marco, but Ratty wouldn’t ask. I follow the thought, and suppose that if Ratty is in my apartment, something very severe has occurred- either I am to die, or some fundamental law of the universe has fled its station.

Marco is frozen, caught in between two cars in his train of thought. I am moving, strapping on my apron and mask, and laying out my tools. Marco realizes too late, and makes to leave, trying to follow the hulking trenchcoat. Too, too late.

“Oh Marco, since you’re here…”

He stops in his tracks. Idiot. He could’ve kept walking, but he’s just a little too polite to realize. I smile behind my mask. He’s getting a crash course, whether he likes it or not.

I pick up a scalpel, and wave it towards the bag.

“If you would.”

He grits his teeth, flexes his fist. He knows, knows that if he leaves now, he has wasted my time, and thereby wasted Captain’s time. No choice now. He shuffles over, and tears open the bag.

A fool, a sinner, a log. I tighten my gloves, and stride over. The dehumanizing vernacular holds no appeal to me, but I’ve heard Marco and Mickey exchange any number of terms, snatched from rumor and history with equal disregard. Anything to slip by the acknowledgement that what here lies once ate, breathed, and likely spoke. I’ve no use for that kind of self-deceit.

I do not meet the glassy eyes, I do not falter upon the discolored lips. I make right for the torso. Steel parts skin from itself. Marco is unhappy, but I am haltingly glad for his presence. He is now a vise, a source of ease. A body can be held just as needed with an extra pair of hands. It’s not for me to consider the reason for which I now extract deformed bullets from a lung. I don’t need to contemplate how the lead found a cause to rend flesh. The flowering way a pink organ has become torn is the most I appreciate of my task. Foreign material extracted, my real work begins. Marco has taken to groaning occasionally, but he shows a degree of resolve I am forced to acknowledge. I may deputize him yet.

I examine the area below the ribs first, feeling around the cavity with my hands, counting in murmurs. The grisly squishing and squelching falls on deaf ears for my part. Marco looks like he might puke, but I trust that he is smart enough to find the time and wisdom to put any bodily fluid he does end up producing somewhere that will not trouble me. I sigh and withdraw my hands.

“Not there, anyway. Looks like I’ll need the saw.”

I huff and fetch the tool from the cloth, and return to the body, ignoring my assistant’s cursing protestations as I begin to reengage with a modicum of strength. I’ve never taken to carpentry, and so can only wonder how bone compares to pine or oak. I hear the former is soft, and the latter is tough. I trust this to be true.

When finished, I lay the extracted bone aside, and reach into my new point of access. I find what I’m looking for almost immediately, and laugh. I pull one hand free to fetch another tool to cut with, and work with some renewed gusto. Marco’s voice nearly does not reach my ears.

“I thought you said this wasn’t fun for you!”

//////

We slide the sewn up body into a cabinet, and both unceremoniously drop onto stools, Marco nearly falling over. We have both discarded our gloves, mine significantly messier than his. I don’t mind that. He worked hard, for his part.

No words are exchanged for a while, and when I find the time between filling out a chart and filing it away, I offer him a can of beer from the fridge. I don’t tend to drink the stuff myself, but Ratty and Mickey will occasionally grab one when passing through. Marco seems unsure as to whether he feels well enough to drink, then decides, perhaps because of general exhaustion or some latent urge to seem amicable, to accept. It hisses as it cracks open.

I consider taking off my apron, but elect to leave it, in case Ratty brings another. Maybe I’ll even meet Nick for once.

“How do you do it, Lamia? Day in, day out, just, bodies.”

I glance at Marco, watch his throat pulse with blood and booze. His stubble is lazily trimmed, his face is sun-tanned. I suspect he is up past his usual bed time, but the weight in the bags under his eyes suggests he’s used to late nights. His inquest merits an answer, anyway.

“You’d be surprised what you can get used to, Polo.”

He doesn’t need an honest answer; he just needs sound beyond the swill of liquid past his lips. I grab a bucket and sponge from under the sink and collect a little soap and some water. If Marco notices, he doesn’t show it. I hear him crack open a cigarette case and scowl, slapping the wet sponge down on the table.

“If you’re going to light up, find somewhere else to do it, Marco. I don’t need another layer of stink in here.”

He doesn’t look at me, but nods and stands away from the wall he has taken to leaning against, stalking steadily out the side door, out into the night. I wonder, as I begin mopping the table with the sponge, if he’s off to sleep alone, or if Julia or any number of his ‘pets’ will be getting a visit tonight. Not that it concerns me, but I know Julia. I know that her interest in Marco should be purely transactional, and I know that it isn’t.

I squeeze bloody water out of the sponge and return to scrubbing. I know less than half of Captain’s people by name, but I’m sure every last one of them knows about the ‘Lamia’ that processes the dead. I have no doubt that rumor has even spread that Captain has had me cut into the living before. Still, Marco visits, and Mickey brings me food. There’s no room for judgement, no time to stone the witch. I tap the ground with the tip of my shoe as I reach for an isolated droplet. Something falls behind me.

I turn, and stare at the scalpel that toppled from the edge of a side table.

I don’t believe in ghosts, despite what Marco thinks. I move steadily over, and hold out my hand over the surface. I feel a light draft, and look up. A drop splashes on my hand, water. The vent over the table rattles. I pick up the scalpel, and inspect it, finding that the handle is wet. I sigh, and pull the table away from the vent, and intentionally place the scalpel in the very center, before grabbing another bucket from under the sink and placing it beneath the vent. A third drip plops loudly into the plastic, and I nod to myself, before returning to my cleaning. I soon regret bothering- the side door swings open, and Ratty comes lumbering through, soaked with rain and dragging another black bag.

//////

I finish cleaning the table and grunt, dropping the sponge into the bucket before carrying both over to the sink and pouring out the contents. As I clean the sink, I glance over my shoulder to where the rewards of my labor lay. In a weighing bowl, a handful of deformed organs lay in alcohol, dark red, purple, and pale yellow. I lean on the edge of the sink, letting the water run, before turning off the tap and wiping my gloves absentmindedly on my apron.

I approach the bowl and consult the scale. I’ve already filled out the chart, but now I consider the mass for myself. Captain should be pleased, the yield is good. Then again, maybe not. That I am able to produce such results is not simply a mark of my efficacy. It also reflects the state of the world. In three years, the number of customers passing through my doors has only increased. Mickey and Ratty have been with us since I can remember, and Marco joined a few years after me. Nick has been on with us twice as long as Marco.

As I understand it, Captain is already seeking another gunner. I won’t be surprised if Marco’s idiocy in hanging around me really does see him pressed into helping me more often, if things continue as they have been.

I consider the bloated, black-flecked liver that lays on the top of the pile. As I stare at it, I can practically hear the clinical voice from the announcements. ‘Prolonged use can produce adverse effects, speak to a licensed physician before making any adjustments to your dosage.’

As if. None of these fools spoke to anyone before they started sticking needles in their veins. Why would they start now? I hear heavy, rhythmic footfalls, and begin peeling off my gloves. Mickey.

He comes through the door like a train, his wraparound sunglasses gleaming in the fluorescent light. He grins at me through his bushy mustache, a dark brown caterpillar that becomes his sideburns, becomes his receding hairline. What hair he does have is long, and competes with mine for smoothness; he may have me beat in truth.

“Lady Serena! How’s your night comin’?”

I smile as warmly as I can without faking, and gesture to the scale that I have stepped to the side of.

“Two customers in one day, Mick. Business is good.”

He arrives almost immediately at my side, and leans over the bowl, nodding to himself as he appraises the product.

“Well now, that is a thing of beauty. Two livers, a lung, and… th’ fuck is that thing when its at home?”

He jabs a finger at a mottled mass of plaque and chitin. I smirk and fold my arms.

“That, is supposed to be a pancreas.”

“Fuckin’ A, really? Looks like a goddamn pinecone.”

His assessment is accurate, if crude. I shrug and start stripping away my apron after noticing the time, more due to Mickey’s entrance than the clock that hangs over the south wall.

“I didn’t ask Ratty when he brought the stiff in, but I pulled seven bullets outta her before I got to work.”

Mickey whistles and takes off his backpack; it’s a bit strange, seeing this man, who looks more like a biker than the college student that should be carrying the school backpack around. I watch him begin loading the organs into insulated containers, taking extra care with the aforementioned pancreas. As I study him, he begins humming to himself, and seems to glance at me from behind his glasses: he starts grinning again and wiggles his eyebrows.

“Something on your mind, fair lady?”

I shrug and gather my things, checking to make sure I stowed everything correctly.

“You talk to Marco lately? He keeps hanging around here. He isn’t dodging work, is he?”

Mickey raises an eyebrow and slings his backpack over his shoulder.

“I haven’t heard from the kid lately, no. Fuck’s he want, bothering you- need me to knock some sense into him?”

He reflexively cracks a knuckle on his left hand, and I shake my head quickly.

“No, I’m just wondering if something’s up. I’m half expecting Julia to come pick a fight with me for distracting him or something.”

I follow Mick out the door into the drizzling rain, and turn up the collar of my coat. Mick navigates the street with some kind of animal instinct, ducking into alleys without a word as to why, once even detouring through a passage in the basement of a building. I can’t tell from his gait, but I know there’s a pistol jammed into his waistband and a shotgun hanging from his armpit under his thick brown coat. The rain glistens on his forehead, stars on a field of smooth pale. After a few minutes of wandering, he replies, coughing before he starts.

“Ah, Marco is… well, you know him. He ain’t quite comfortable in his skin yet. Kid still thinks he’s playing cops and robbers, cowboys and indians. Some folks get into the dirt thinking there’s some kind of nobility and adventure in getting filthy. One day, he’ll wake up, and realize that this is all there is.”

I bite my thumb and glance over my shoulder, watching a vagrant shiver and pull their blanket tight around them. I turn back and make an effort to keep up with Mick’s chaotic path. He speaks again, his tone and volume a little lower.

“Captain told me once, you know…”

Something about the way he has become almost furtive makes me uneasy. I stuff my hands in my pockets and wrap my fingers around the folded pocket knife in my left. Mick clears his throat and continues.

“Told me, ‘Mick, there’s nothing glorious about what we do.’ Said we were just soldiers digging holes in mud. But someone’s gotta dig. If you can find a way to enjoy how a shovel feels in your hand, that’s all well and good, but don’t get confused enough that you start trying to find gold in the hole. Marco’s learning to love the shovel, but I think he’s also trying to figure out if someone’s hiding the gold from him.”

Mickey stops suddenly, glances around, then ducks into a boarded up hotel lobby. I don’t follow him: I don’t belong at a meetup. I hear the distorted echoes of voices from the door, greetings and laughter. I step away, and find a place to take shelter from the rain. Water flows down the street in a river, a swirl of colorless shimmers.

When Mickey returns, his bag is thinned out. I wonder at the price of continually resupplying insulated containers, but then suppose it falls under the costs of operation. Mickey nods at me, and I follow him out into the night.

//////

“Nick’s coming to meet us.”

I nearly choke on a fry. Mickey glances up from his country fried steak, but I cleanse my pallet with a sip of ice water and shake my head.

“Nick. As in, never visits the morgue, Nick? As in, Ratty and Marco’s mysterious third counterpart, Nick? Are you sure he exists? And he’s okay meeting me?”

Mickey shrugs and forks a bite of steak into his mouth, looking at the little jukebox that sits on the edge of our table against the window. His sunglasses decorate his forehead as his hair probably used to. He licks his thumb, then starts fiddling with a knob on the device, flipping through a song directory behind glass.

“Yeah, that Nick. And it’s not that he’s shy or anything, he’s just always too busy. One of the customers Ratty brought you yesterday’s supposed to be one of his. Nick’s good, real good. Better’n Ratty, some days. Used to be a cop, I think.”

I sit back and lay my hands on the table, attempting to digest both my fries and the information he has offered me. I look out into the diner, watching a waitress take a slice of pie out from a glass counter case and set it delicately into a styrofoam box. There’s a fondness in her downcast eyes that ought to be reserved for whoever gave her the necklace swaying from her neck.

“Used to be a cop?”

Mick nods and presses a button. The jukebox flickers, then begins producing tinny music. He bobs his head a bit before returning to his food.

“Yeah, yeah. When shit changed, and they started selling that crap, he was a… uh, vice detective, I think. Maybe whatever comes before detective. Suddenly, job description changed, and he didn’t feel like playing along. So, he finds his way to us, says he’s got what it takes, and Boss man pulls him on. Course, it helps that… Well, you know where the orders come from and why. Makes perfect sense that Nick ends up with us. Hell, he was probably hot on our tail back then.”

Mick pauses and looks at me with his bright blue eyes. He frowns.

“Honestly, I’m surprised you didn’t know that. I’d’ve thought… well, I guess you only really got into the game because shit went sideways.”

I nod. I never made it into a career before I signed on. I pull the hair tie from my wrist and start putting it on in preparation to eat seriously. It’s hard not to pass judgement on a faceless name, especially when I’ve now heard so much about its owner. I still can’t quite imagine a face for the name, but now I’m picturing a police uniform, the badge torn from the breast. As I consider the image, a hand lands on the booth, and a body slides in next to me, offending my sense of personal space. I turn slowly and witness slick blonde hair, a strong jaw, and dark brown eyes. He’s grinning in a way that makes my stomach tight.

“Hey there. Name’s Nick. You must be Serena.”

Ah. He’s a pretty boy. His clean-shaven chin, his crinkled eyes, his rough hands, the way he snatches a fry from my plate without a care in the world. He’s wearing a buttoned gray shirt and navy slacks. A black leather jacket barely hides his armpit holster.

“Serena, yes. I take it we’ve both heard a lot about each other.”

He grins just a little wider, before turning and jutting his chin at Mickey, who seems wholly invested in his side of home fries. I pull my plate closer and pick up my burger. I study Nick carefully as I bite into my sandwich.

“So, Mick, did the drop off go smooth?”

“Does a nice car in the shade collect pigeon shit?”

Nick laughs and nods, before catching a waitress and giving her his order. He’s an intense specimen, flirting, suave, rude, confident. I don’t like him, but I also feel that he’s exactly where he belongs. When he turns back to us, his smile has given way to a shine of seriousness.

“The one I bagged today seemed pretty far gone. How’d she turn out?”

The question, though spoken facing Mickey, seems to be aimed at me. Fine. I turn my burger to get a better angle, and shrug.

“Definitely above average yield. Three products, one all the way to calcified.”

He grunts in approval and sits back, draping his arm across the back of the booth. My skin crawls. I take another bite, and chew slowly, crossing my legs. Mickey sets his fork down and pushes his plate away.

“So, Nick, what has you in the neighborhood? Trouble finding a target?”

“Nah. The kid wanted the next number, and Ratty had already grabbed the one before it. I just got outbid. So, running errands, Captain told me to stay nearby, in case you needed backup. Imagine my surprise when I asked to check in, and you’ve already got backup.”

He looks pointedly at me, and I snort, taking the last bite of my burger and wiping my hands on a napkin. Mickey fields his mistake for me.

“Serena isn’t backup, Nick, she just tags along sometimes.”

Nick affects genuine surprise, and looks at me head on. Something about his dark eyes suggests his incredulity is incomplete.

“You’re kidding. Half the boss’s bodyguards shake in their boots when Marco talks about you. I figured you must kick ass when you’re not down in the basement.”

Mickey says nothing to that, and I feel no inclination to expound on his education. That doesn’t stop him from continuing on.

“Might be rude of me, but I gotta ask then; why do the guys call you… well, what they call you?”

“Lamia?”

He nods. Fine. I’ll play. But Mick steps in before I start to answer.

“Nobody told you? Shit, no wonder you’re sitting there, cool as a cucumber. Nick, Serena isn’t just our post-mortem surgeon.”

Nick glances at Mick, then back at me. He’s starting to get the picture, I think. He doesn’t seem unnerved, however. I’m starting to get a clearer picture of him, too. Mick presses on.

“Doesn’t happen much nowadays, but back before things went screwy, we were a proper power, right? You know that much. Not many people been on long enough to remember, except me and Ratty. Before Captain was in charge, It was a fella named Carlos.”

Mick pauses to spit. I sympathize.

“Carlos was a mean son of a bitch, he’d just as soon bite your ear off as look at you. We would run anything you could name, and if someone shorted us, it didn’t matter how much, Carlos would see to it that they never ran afoul of us again. And if they did, they died, that was it. Now, at the time, Serena here was fresh out of med school. But Carlos needed a cutter after he stabbed the previous guy with his own razor. So he has a bully by the name of uhh…”

“Jimmy. You’re thinking of Jimmy.”

“Yeah, it was Jimmy, wasn’t it. Nasty fucker in his own right.”

The jukebox trips, and settles into a crackly loop as Mick continues.

“Jimmy, he sends to go find someone who knows how to cut a person without killing them. Jimmy finds Serena. Throws her in a van, brings her to Carlos. Carlos, he’s impatient, so he has someone ready for her to cut. And he has her cut. He lines up people for her to cut day in day out for a week. Has Jimmy watch her the whole time, make sure she never goes easy on anyone. Hookers, homeless, whoever. I think there was even the head of another family in there somewhere. All people Carlos has issues with, no matter how small.

“At the end of the week, Carlos comes to check on her. She’s done well, done everything he asked. There’s a problem though; Jimmy’s left her alone. Nowhere to be seen. Carlos is furious. Swears he’s gonna find old James, and put him under the knife next. But nobody can find the fucker.

“What Carlos doesn’t know is, Jimmy tried to have his way with Serena. Tried to distract her from her work. And by the time he worked up the nerve, she’d already gotten used to all the blood and guts, and all the screaming. So when he tried to push her down, she cut into him without a second thought. Trimmed him down to size, practiced everything she knew how to do, and sent him out of the compound bit by bit, piece by piece, right under Carlos’s nose. Me and Ratty knew, even helped her do it, because there was almost nobody Jimmy hadn’t done wrong, pushin’ on em or trying to force himself on their girl. Only Carlos liked Jimmy, maybe because everyone else loathed him. Captain, ‘fore he was called Captain, he caught wind of what Serena did. Made introductions, told her to expect gifts. Two days later, Captain is Captain, and Carlos is a stitched up mess in a box on some poor policeman’s doorstep.”

I slurp my milkshake and stare out the window, watching a sports car on raised suspension roll by. Mickey turns off the jukebox. Nick scoffs.

“Shit. You aren’t joking? She did all that?”

Mickey shrugs and rubs his chin in his calloused hands.

“I don’t know everything, but Captain made promises to a lot of us around that time. He knew us better than Carlos ever did. Knew what we all wanted, knew how to get it. Serena was probably the last one he brought on. And Jimmy was his biggest obstacle before that. So when party A suddenly takes care of party B for you, you find yourself eager to get acquainted.”

“Shit, I guess so.”

Nick is looking at me again, but I’m watching the fog build on the window in the growing heat of morning. 

//////

I slide my scalpels into the disinfectant bath and strip away my gloves, just as someone comes barging through the door. I look over my shoulder and see a woman who reminds me of an old woman’s geriatric dog. Her shoulders are obvious, her nose is crooked, her clothes are few. A purse hangs from her shoulder like a chain-strung pendulum.

“Where the fuck is Marco?”

“Hello Julia. Have a seat, won’t you?”

I pull my mask down and pull a stool up alongside the freshly cleaned table, across from another, which after a moment’s hesitation, she takes. Her faux bravado is crumbling already, but she pouts proudly.

“What’d you do with Marky? You kill him, like Jimmy?”

I sigh and shake my head.

“Marco comes and goes all the time, Julia. I don’t ask where, long as he doesn’t make it my problem. He’s not coming home lately?”

She looks me over, then slumps and nods.

“He’s been gone a whole day now.”

I sigh and pinch the bridge of my nose.

“You asked Captain about this?”

“N-no, I don’t… I don’t talk to Captain much. Or, I guess, he don’t talk to me.”

I suppose that makes some sense. Once Captain loses interest in a girl enough to let one of the guys lay claim to her, she might as well not exist to him. I suppose there’s a chance Captain doesn’t even know Julia is still alive. It doesn’t matter to him. I stand and kick the floor.

“Alright. Let’s visit Captain. He’ll want to know. Last I heard, Marco was on the job.”

The way Julia’s eyes go from glaring to shining is enough to make someone go all warm and fuzzy, but I’m too busy putting on my coat to really soak in the feeling. I scribble out a note, and am about to press it to the scale bowl, when its intended recipient pushes through the door.

“Lady Serena! How goes- Oh, Lady Julia, what brings you… here?”

Mick pulls his sunglasses off. Julia trots over and gives him a big hug, before looking up at his face with big wet eyes.

“Marco is missing, Mick! He ain’t come home in a day!”

“Shit, that ain’t right…”

He comes over and unzips his bag, somberly loading his cargo and glancing at me.

“I haven’t seen him since yesterday, I suppose you h’ain’t either?”

“Nope. Definitely weird. First time he’s left me alone in days.”

“Shiiit. Alright. Time to talk to boss man.”

And so we head up the stairs, me followed by Mick, Mick clung to by Julia.

//////

Mickey opens the door, and I head in, my chin held high. The main room is a cage of wealth; thick persian carpets, authentic wood furniture, guns and knives all over the walls. A fireplace crackles in the center of the far wall. Facing it, sitting in a large walnut armchair, is Captain.

Maybe the name comes from some rank he’s held in his life, or maybe it comes from his attire. He wears a thick wool sweater and tight jeans, and has a revolver strapped to his hip. When he turns to look, I can almost see my face reflected in a foggy grey eye. His salt and pepper hair seems just right to go with the knife scar along his cheek and through his eyelid.

“Serena. To what do I owe the pleasure?”

I shove my hands in my pockets and look past him to the bookshelf, idly reading a few titles and authors before meeting his calm, smiling face again.

“Marco’s been gone awhile. None of us has seen him in a day.”

Captain looks past me in turn, and lays eyes on Julia, surmising just how unusual my statement is. He refocuses.

“Marco wouldn’t have turned tail and run. He knows better. You know where he went?”

“Nick-”

As I say the name, its owner pushes through the door behind us, and grins in a controlled surprise. He shrugs and gestures that I should go on.

“Nick said Marco took a job, and he hasn’t brought me anything since then. So.”

Captain turns his eye on Nick, who shrugs.

“Marco, huh? He pulled the number before me, and hit the road. Haven’t seen hide nor hair since.”

Captain breathes in and out a few times, then stands and faces us, his hands clasped behind his back. I study the ice in a glass of what I suspect is scotch, sitting on a table beside the chair.

“Okay. Nick, take Serena, go after him, see if he needs help bringing in his number. Mick, finish your dropoff, then take Julia home. If he doesn’t turn up in the next four hours, I want the three of you back here. I’ll have Ratty go check the canal.”

He waves his hand, and we are dismissed. We have left the room before he has finished sitting back down.

//////

Nick turns the car into the lot and looks up through the windshield just after he finished pulling into a space.

“Geez, what a shithole. Think I came here back when I was on the force.”

I follow his eyes and look at the apartment building, squeezing the knife in my pocket. All the concrete and rust creates a pretty clear image of the income bracket for each of the occupants. Just ahead, a pair of young men smoke and talk loudly, laughing at intervals. We get out of the car. We get onto the sidewalk, and I look about. I recognize an old beat-up sedan with a spoiler, and point it out. Nick clicks his tongue and nods.

“Well, he made it here.”

He straightens his coat and walks confidently towards a side exit, and studies the electronic lock for a moment, before waving me over. I arrive beside him, and study a small scar on his chin, before watching him kick the plastic box clean off the wall and tugging the door open. He grins and waves me in.

“I’ve definitely been here before.”

I blink at his words, and enter the stale air. Tile floors, dingy lightbulbs, thick metal doors. I watch a roach scuttle into a gap between the wall and the floor, leaving a smear of an unidentifiable grime under it. Nick joins at my side, uses a finger to collect dust from the wall, and starts for the stairwell. I follow.

We go up six stories, and neither of us is particularly winded, but we pause at the landing all the same, collecting ourselves for whatever comes next. Nick draws his gun, checks the magazine and chamber, then racks a round.

“Alright, come on.”

We enter the hall, and creep deeper into the moldering inferno. A door with ‘605’ etched into the tiny knocker awaits us. Nick ushers me behind him, and gets ready to kick the door, before stopping, and nudging it open with his foot.

“Huh.”

He pushes in, and I follow.

The apartment is dense, stacked with newspapers, boxes, bins, and strangely, small iron lockboxes. There is a terrible smell coming from something nearby. I face a coffee table covered in loose pages, with five of the metal boxes on it. I pick one up and shake it next to my ear. Something moves in the box, continues moving when I hold it still. Something alive.

“Oh. fuck.”

I set the box down and look at Nick, who grimaces.

“Very far gone, then. Fuck, Marco.”

We reunite, and move deeper still, navigating the hoard of keepsakes. The smell gets worse. We hang a left, and arrive at a door, which Nick pushes open, his gun ready. I watch it swing.

A dining room adjacent to a kitchen that festers with maggots. Flies and larva create a horrid scene of writhing, swarming, squirming. At the far end, a figure sits, hunched over a table, over a plate of something that moves and jerks. Nick approaches, I follow.

A man, dark grey of skin and white of hair. His eyes are yellowed, and his teeth are black. He allows Nick to come right up next to him and press his gun to his temple. He begins to say something in a voice like a drowned gurgle, but the gun fires, and silences him. Nick holsters the pistol, and I come closer. I stare at the body, seeing for the first time something that Marco has described before. The ashy skin becomes pristine pale pink, the white hair darkens and becomes sandy blonde, and the teeth regain their whiteness. He looks perfectly preserved, as if he is sleeping. I look over at his meal. A human hand, still dark grey, wriggles and clenches madly, held in place by a long nail, probably ejected by the nailgun lying next to the corpse’s feet. The man still has both his hands. Nick sighs and looks around, clamping a handkerchief over his nose and mouth.

“Fucking Necro. Clearly a self-mutilator. Looks like we’ll need the hazmat squad, too. I’ll make the call, see if you can find Marco nearby?”

I nod and retreat from the rancid room, returning to the stifling apartment. I ignore the gently rattling iron boxes, and push through the only other door I can find in the apartment. A bedroom swamped in personal belongings. Broken picture frames, scattered chess pieces, a fallen stack of opened envelopes. The refuse of a life. There is another door. I nudge it open and peek through the door. A bathroom. I stare at a bathtub whose basin is stained the color of rust. A hairdryer lingers in the ruddy brown, still plugged into the scorched wall socket. A straight razor sits precariously on the edge. I sigh and close the door.

A closet, mostly undisturbed, full of coats and sweaters, with a dresser filled with clothes. No Marco.

I return to the door to the kitchen, and find that Nick has retreated to the living room, and is just closing his phone. He looks at me, my solitary state, and furrows his brow.

“Kid’s not here?”

“No sign.”

He looks over to a window smeared with newspaper pages. I find myself watching a little bronze chest turn in a circle that might take an hour to complete. Nick huffs.

“Okay, well, Marco never made it here, clearly. Want to canvas the neighbors? Ask if any of them heard anything yesterday?”

I shrug and pointedly look to a clock on the wall. Nick takes my meaning immediately.

“Fair enough. Shouldn’t keep the old man waiting.”

We wade through the filth and exit the apartment, distant sirens beginning to announce the approach of a hazmat team. Nick curses and heads back in, then comes out, carrying a black bag over his shoulder. I watch him slam the door shut behind him, see the little knocker bump against the ‘605’ plaque. Something clicks in my head, I remember seeing Marco hold a little leaflet of paper, turning it in his fingers.

“Oh. Fuck.”

I begin to run for the stairwell. Nick calls out behind me, but I cannot wait. I slam through the door, jog down the steps. I hear the door slam and reopen behind me, even as I shove my way into the floor below. The sirens are growing closer.

I thump down the hall and finally stop at a door, heaving breath. I stare at the little knocker.

“509. Marco, you and your lazy chicken scratch.”

I press my ear to the door and still my breath. Silence. I push gently, and the door swings- the frame is damaged, someone has broken in before me. The same layout as above, infinitely more tidy. I creep in, taking my knife out and unfolding the blade. I hear something. Muffled voices. I glance. The sound doesn’t come from the kitchen. I turn, and approach the bedroom door, and listen intently. Repeated shuffling, grunting, heavy breathing. Something squelching. I bite my lip, and slowly turn the knob, and open the door to look. I cannot believe what I see.

Marco. He’s there. He’s tied to the bed, and he’s buck naked, a rope in his mouth, restraining his voice as he struggles to bring his hands closer to him. I hear another sound, from the bathroom. Water, a faucet running. Humming. I flinch as a figure in a bathrobe emerges from the side door, a heavy set man holding a riding crop.

“Now now my little chick, how long before you remember not to struggle? Daddy doesn’t like it when you struggle.”

Marco sobs, and writhes even more, kicking his feet, which I now see are also restrained, tied to the bedposts. There is a lot of dried blood on the left side of his face. The other man comes to the foot of the bed and drops his robe.

“God delivered you to me, little chicky. But God will understand if I have to cut out your tongue so you don’t upset the neighbors, yes.”

Marco is screaming into the gag. I’ve had about enough of this scene. The man shuffles onto the bed, nearly losing his balance. His hands, thick with cholesterol and swollen knuckles, clutch Marco’s feet. I’m coming closer. Marco doesn’t seem to see me past his distress. I can smell the man, an unpleasant cocktail of cologne and pheromones, sweaty and excited. I gaze over his shoulder at the scene he has created, before staring at the nape of his neck.

I take his shoulder, feel him go stiff, and watch his head turn as I plunge the knife firmly into his back. I feel a sort of tension leaving me as I drag it through his skin, watch it parting his flesh. I’m… warm. His blood spatters me with an intensity much unlike that of a corpse’s. I tighten my grip on his shoulder as he flails, trying to turn to face me, unable due to his awkward position on the bed. Marco is silent, watches me eviscerate his captor. The knife, my artificial influence, only continues, ruining muscles, snapping tendons. I withdraw from the horizontal streak I have made, then plunge in again, this time lower. I can remember where all the tendons hide, all the key muscles reside. The man is becoming limp, helpless. His ejected blood does not help. I pull the knife forward and put my arms around him to drag it through his belly. His intestines come spilling out, and he falls back against my chest. I am suddenly repulsed, not simply by his touch, but by my act, and so I step back and allow him to tumble to the floor, dragging his guts with him.

Marco stares at me. I falter, then set to cutting through his restraints, starting with his hands. I’m breathing quite heavily. He can address his feet himself. But he starts with his mouth. It’s times like these that really make me question his intellect.

“Serena?”

“Yes, Marco?”

I wipe my knife on the side of the bed. I’ll need to disinfect it, and my hands. I head for the bathroom, aware that Marco is finally working on freeing his feet to follow.

“Serena, I-”

“There’s no need to talk about what just happened. I won’t tell Julia what I saw.”

He is quiet. I rinse my hands, and examine my coat. I’ll need to make him pay for a new one.

“Ah… Uh, then… Thanks, I guess.”

He wanders off, hopefully to find his clothes. I meet my own eyes in the mirror. My pupils are wide, my cheek is flecked. This is the clearest I’ve seen my face reflected in a while. I lean forward and tilt my head to one side, watching my nostrils flare and shrink, my lashes flutter. I don’t recognize her, this creature with such a violent gaze, these proud cheeks. A stranger that I have passed on the street, perhaps. Maybe I’ve seen her studying me through the mirror while I apply my lipstick. I back away from her, and return to the bedroom.

It’s still lying there, the cadaver that I created. Blood is sinking into the carpet. Marco stands at the door, buttoning his jeans. I push past him and into a living space that is extraordinarily lavish, considering the state of the building. I hadn’t noticed on my way in, but there are oil paintings leaning against the walls, and a handful of sculptures in corners. It feels less like a gilded suite and more a storeroom for contraband. A latex suit with a ball gag is being worn by a marble statue. Marco comes up behind me, and I look him over, before leading the way out into the hall.

“That guy’s gonna turn, isn’t he?”

“Almost certainly.”

“I saw him using.”

I shrug. It’s not unheard of for eccentrics to abuse drugs, and to seek rehabilitation. In another time, there were treatment centers for such things. Nowadays, there’s a miracle drug. I shove open the door to the stairs, and let Marco pass through, throwing one final glance back to the door. I reason, with no small amount of certainty, that Ratty will be the next to enter that room. 

I tuck my knife into my pocket, and pull a small cellphone from another. The silvery thing is pristine, nearly unused. I pop it open, and type into the keypad. It rings twice as I descend into the stairwell, and follow Marco to the lobby.

“Did you find him?”

“I did.”

“Good. I’ll let the others know. Thank you Serena.”

The line clicks, and I break the phone in half before tossing one piece over my shoulder. We go out the way Nick and I came. The sirens are all around us now, and I see a group of men in yellow rubber suits gathered around a box truck, bristling with high tech equipment. I toss the second half of the phone into a dumpster buzzing with flies before leading Marco over to Nick’s car. The latter is chewing gum and watching the Hazmat team prepare to enter the complex. He notices us, and claps Marco on the shoulder before looking at me. That he doesn’t ask Marco his side of the story does not surprise me.

“Found him in another apartment. Little old lady had him tied up in her living room, punched his clock with a five-iron when he entered. I’ll send Ratty to clean up.”

Nick laughs and shoves Marco teasingly. Marco just stares at me. I have a bad feeling I’ll be seeing even more of him for a while. Or, if I’m lucky, a whole lot less. Marco takes out his cigarette case and cracks it open. I hold out a hand, and after a moment’s consideration, he puts one in my hand before pulling his own. I place the end in my mouth, and wait for him to light it.

///////

My hands are deep in another body when Marco comes through the side door, lugging a black bag. The third one today. I gesture with my chin, and he lays it out on a shiny new table, courtesy of Captain. He wipes his forehead, and comes over, watching me work for a moment.

“I’ve been thinking.”

“That’s new.”

I let him wonder whether I am replying sarcastically to him or remarking on the grey, lumpy liver I am pulling from the corpse. He doesn’t seem particularly bothered.

“Serena, I-”

I lay the liver on a tray and look at him directly, daring him to speak the words on his tongue. He seems to choke on them. Away he looks, and back to work I go. Chart, body into cabinet, cleaning. I look up, and he’s still here. He’s helping, cleaning and organizing my tools for the next customer. Fine.

“What did you want?”

I strip off my gloves and press my knuckles to the table, indicating that I’m ready to hear him out. He sets down the tweezers he’s holding and leans back, biting his lip.

“I’ve… been thinking I should leave Julia.”

“And you want me to… what, deliver the message?”

“No, no, I just…”

I grit my teeth and wait for him to say what I know he will. The pause is nigh-unbearable.

“I’m worried, because what I do, what we do, it’s dangerous. And I’d rather she hated me than cried because I died.”

I feel my eyebrow twitch.

“Is that all?”

“Well, n-no, I also… um…”

“Marco. If change is really what you need right now, I’d start with your cigarettes. Once you’ve given those some thought, we can pick this conversation up again.”

“I didn’t say-”

“No, you didn’t.”

He blinks and taps his foot uncomfortably. He looks away. I hold steady, until he looks back. When I see the fire in his eye, I know I haven’t gotten through. It’s at that moment, seeing his stubbornness, his indignation, that I know beyond a shadow of a doubt, Marco will cross my table one day. His future becomes a single line, one I can almost see flowing out from his belly and leading him into the night. As he pushes out the door, pulling a cigarette from his case, I suppose I can see him at the center of a car wreck, broken over his steering wheel, beginning to turn gray. Then I see him laid out before me, his intestine in my hands, his lips chapped, his eyes yellowed. Then, I see a cabinet, a steel handle, and a nametag.

I drag the new bag up onto the table.

16: Subdermal

There are doors at lower levels, leading out to lower and lesser platforms, with dwindling monuments to every level, until I am left with the sight of a web of walkways that connect the pillars, and converge on perhaps the largest of the many-domed buildings, which sits atop a peak over the mountain range split by the surging green rivers- which I can now identify as originating in frothing geysers close to the peaks. The ramp ended, I can only walk the path, allowing it to guide me into the basilica.

I stop once to give my feet a rest, and look down upon the mountain range, noting where the massive stalactite I emerged from meets a particular peak, past which I can see more of the acropolis’s founding pillars. Below me I watch as around one of the pooling points for the foul viridian substance, a plethora of creatures gather. I recognize the brutes from the marsh, the needle-mouthed bugs from the march, and the white-robed creatures from inside the buildings, as well as a few I don’t recall. Reddish things whose many limbs seem to part and fuse back together without reason, whose bodies often lack heads, hands, or symmetry. I also see things that slither and squirm, with many tails and wings with confounding holes. Resting still, I watch as they plunge themselves into the substance and dissolve, becoming one with it. Ever more come to be dissolved.

I rise from where I sit and begin again, engaging with my chosen path with little enthusiasm. Once in a while, I see apparent monasteries nestled in the mountains, and watch as creatures approach the pools, hesitate, then turn and embark to these tan obelisks, and enter. None seem to leave.

I come upon the grand basilica and rest my hand on a set of bone doors so tall and wide that I do not doubt I might never hope to open it. Carved into its surface is a depiction that rivals the magnitude of the monasteries below. The carving depicts an impossible number of persons my size writhing in pain, grasping at the cracks in the ivory that depicts them; as if these are true wounds to their flesh. I raise and press my hand to the cheek of one of these petrified individuals, and become suddenly aware of every ache and bruise in my body, of the battle fought between my flesh and the silicone planted by the ichor, the war to reject the Porcelain that does not let go. I pull my hand away, and the sensation subsides. I suppress a gasp of fading agony, and turn my head from the doors, finding that within the base of the left door is a more manageable entrance, a seamed section roughly three feet wide and seven feet tall with a handle in the middle.

To this alternative I shuffle, and pull firmly. Rather than swinging open, the section pulls directly outwards, and I find a niche on either side into which I might fit. Again I feel apprehension at trusting myself to a mechanism, but not wishing to cross back along the walkway, or attempt to scale the mountain, I crawl into the channel, and wedge myself away from the outer edge. After a pause, the section slides back into place, and I am made to wait until my eyes adjust to the dim light they cast. I see that across from me is a new niche that lines up with mine, and continues towards the other side of the door, so I entrust myself to this, and crawl through.

On the other side I find a foyer that is fit to match the doors, and exits of various sizes leading in different directions. The walls are ornate, being of a dark gray with shimmering golden mortar. The air is tinged with a smell like honey and peach, and a dissonant choir echoes from all of the passages. I cross the marble floor slowly, my eyes keyed in on a passage that matches the dimensions of the doors through which I have passed all this time. Above hangs a tapestry woven from enough thread to suffocate an army.

This piece proudly depicts a bloody war, in which two forces compete and vie. On the right is a uniformed battalion of men, but monsters too; beside some officers stand tall things with white fur and blue horns, with rows of sharp teeth and claws. Here too are giant insects, things of orange chitin and blue blood, with thick shelled chests and three fingered hands. Sparsely sprinkled in this regiment are strange translucent things that walk on two legs, but have fingers like octopus legs, and heads like jellyfish, with simple holes for ears, and four glimmering eyes.

To the left is a force that is somehow more familiar to me. Here I see those creatures that have hounded me since my arrival. The surgeons and red-robed porcelain women surge to meet the infantry, supported by robots holding advanced rifles. Angels clash with jets of advanced make. Bone brutes and striding harvesters trouble tanks and jeeps, and wreak havoc on clustered troops. In the background I see what appears to be warfare in space, with metal ships pierced by giant sinewy tendrils. And above all is the dark figure wrapped in black light, floating weightless over the spectacle. He is backgrounded by what seems a moon or near planet with red and black essence seeping from its edges in a malevolent corona. All this I absorb, then pass by as I enter the passage I have chosen.

After many turns, and many downward cycles, I enter a small balcony in a sort of coliseum, high above an oval stage where a troupe of the porcelain women dance- performing a high-energy ballet with many leaps and dangerous gymnastics. Their glossy white bodies are bare, reflecting harsh blue and yellow lights from overhead with every high-velocity twirl. The crowd is rowdy but mostly enraptured, and begins to applaud and hiss as one of the lead dancers breaks off to lead a surgeon to center stage. The remaining dancers encircle the slow, grunting creature, and begin jabbing at him with hooked knives, tearing what sparse scraps of skin he has to offer. Enraged, the surgeon lashes out and grabs one of his torturers, cracking her wrist and forcing a shrill scream through her mouth. A laugh ripples through the audience. The others back away as he rakes his claws sadistically across her chest. The captive screams again, this time portraying rage over pain, and swings her knife through his throat, producing an arterial spray that sends the crowd into hysterical howling and whooping. The surgeon drops his prey and stumbles backwards, flailing his arms and barking, before the doll kicks him over and drags her knife through his gut over and over, prompting a standing ovation. I have nearly made up my mind to leave the spectacle through an ornate bone door opposite the one I used to enter, when the lights dim, and the performers drag the gurgling carcass offstage.

I linger and watch a small, caped figure emerge from an opening in the floor, and look out across the gathered onlookers.

This being is particularly hideous, being sewn together out of tanned leather pulled tight across what rigid structures lie within. If she possesses bone structure, it is not anything natural. Her jaw is asymmetrical, one of her arms is longer than the other and has more fingers- the other is four thumbs and an index- one of her eyes is so much lower than the other that it distorts her nose, and her chest has protruding lumps that suggest her ribs are all different sizes. Her cape too is leather- made from skin as I now realize- and long triangular scraps hang from her waist in a gruesome skirt. Her voice is beautiful as she is not. Pathogen’s tones were surely soft and sedating, but this newcomer’s crooked throat produces a voice so rich and gentle that I cannot but breathe a sigh of relief.

“Hello, you filth.”

She says it as though it were a term of affection for a lover, spoken across a pillow in the moments after the saffron light of dawn has been eroded.

“I’m so glad you could join us for the show today! Just think, instead you could be getting your eyes gouged out and your marrow sucked. Why, you could be having holes drilled through your teeth, or be getting dragged through molecular acid, or even refurbished with shiny white skin!”

I feel as though she is looking at me when she finishes this term, and I turn to exit through the door, but find that both are admitting a cluster of the marchers from above, their cottony faces all damp and clinging.

“But you joined us today, instead of all those other things, and for that, I’m so, so grateful; because today, we have a special guest!”

I am about to plunge into the crowd behind me, when a pair of clawed feet grasps my shoulders, and hoists me not at all gently into the air. I look up and strike at the feet, drawing only a blood-curdling screech from the winged, many-faced thing that has me. I hear the crowd murmur and shuffle as I am brought down and dropped in a heap before the creature on the stage. With her long arm she grasps my hood and drags me to my feet, then dusts me off.

Up close, she is even more hideous, some of the tanned hide that makes up her skin-suit is wrinkled and cracked with age, unhealing gashes betraying glimpses of a black and shiny thing within. Her teeth are as ill-fitting as the rest of her, some are bestial and crooked, while others are ivory and neat. Her breath is mild and flowery, however.

“Welcome to my coliseum, dear thing. I’ve been expecting you.”

She grins and faces out to her audience, but I am kept from running by the presence of the thing with leathery wings and canvas-like skin that looms over me, its frowning mouths whistling breath.

“Toxin welcomes all to her menagerie! The meek, the mighty, the beautiful, and the obscene! Even things like you, rare as you are.”

All around the edge of the stage I see the porcelain women standing, their sleek bodies poised as though prepared to pounce. I notice that many have fractures and cracks in their faces and limbs, and the imperfections have been sealed with gold. Much of the silicone of their torsos has also seen repair with a gray rubber that eases the contrast between the black and the white. Their red eyes do not waver from the ringleader’s – Toxin’s – face, awaiting her instruction, it seems. She turns to me.

“Come, let us have some fun with you, dear thing!”

All at once the women rush in and begin shoving me, this way and that, tearing at my robe and lacerating my face with their fingertips. I sway to one side and am grabbed by the arm, then the other, and feel a sharp hot pain as something cracks into my back, a whip or lash of some kind, who’s ragged edge stings terribly and causes my vision to blur. I wrench free and struggle to take three steps away from the mass of cruel laughter. The top of my robe has fallen to shreds that sway and double over the lower half, still supported by the waistband cord. I fall to my hands and knees and continue to shuffle along, faintly aware of uproarious applause in all directions.

“So delicate! What a treat you are!”

The silky voice, despite not having changed at all, now seems to me worse than any of the terrible sounds I’ve yet experienced, a slow-spinning auger in my chest. I attempt to come to my feet, but am kicked in the back, along the rugged wound, and fall on my face, warmth spreading outward as my blood seeps out. My center begins to feel cold.

“Oh, but dear, not nearly long-lasting enough. You’ll be lost to us before we’ve even disemboweled you if we’re not careful.”

She speaks as though she is pitying a romantic evening being canceled, and her finger crooks under my chin to look at my face. My sight blurred, her features are only a smear, a crooked soup of a dark splotch here and a wiggling fuzzy shape below it.

“Tsk. This won’t do at all. I had such high hopes for you.”

Her disappointment is a knife paring away my skin, my eyelids, my ears. I feel as though I might never inhale without sobbing, if I survive. As my senses dim, I see a twisting shape around her, a writhing mass of spectral worms all stemming from her chest. Through one of the gashes in her leather skin I see something glistening slithering up and down. I blink, and find that her face is crooked in a different way than I remember, as if her cheekbones attempted to heal and were broken from another force in another direction. I can no longer hear through the fog of pain and blood-loss. My sense of balance tells me I am rolling to the side. All at once, everything is brighter, and I am falling.

12: Subterranean

The inside of the cathedral is calm but for the raucous sounds projecting through the door. As I look around, I am relieved to see that the others here, though varying in height, all possess the same glowing red eyes that I have no doubts I do. They chitter and moan softly, and carry scrolls, candles, and prosthetics about. Reliquaries line the aisle that splits the pews, and I view those that I can stomach as I approach the altar.

First I witness a severed head preserved in amber, whose eyes seem to follow me as I pass. Second I see a heavily damaged automaton propped up in a coffin of sheer gold, whose body is adorned with heaps of jewelry. Next to affront my gaze is a silver box flecked with blood, every side depicting a scene in which the dark figure from the tapestry exerts some sort of power over a place or people, transfiguring reality. Next is an entire intestinal tract stretched through a series of pulleys. I elect to stop viewing the contents of the ornate cases.

By now I have reached the altar, and find it draped with a violet cloth. A massive candelabra hangs above, its wrought iron lined with wax. Atop the altar is an open tome, whose pages are stone tablets. The right tablet that it is opened to features a miniature fresco of a scene in which Pathogen kneels before the dark figure, her arm pointed to one side with her palm open upwards. In her palm floats a small symbol, a series of lines traversing an upside down V.

Behind the altar is a throne, which, despite the space allotted to it, is sized right for a person of my own stature to fit, far too small for the towering cyborg. All around it are marble statues of the angels outside, posed as though flying out and away. A pair of ivory giants are poised behind the throne with their hands resting on it, their faces like honeycombs. I turn away from the altar, and head into the left transept, where I have sighted a small door. Before I can use it, I hear the main doors close, and the thunderous steps of the rotting machine man. I risk a look, and see that he is accompanied by Pathogen, Tower, and the automaton from the factory, as well as two others. The first of the ones I do not recognize is a hooded figure with dozens of starlike lights shining from behind its veil. It seems to drift and float across the floor, rather than walk. What I can see of its hands reminds me of a jellyfish, or a snail. The second figure is an emaciated woman dressed in rags, whose eyes seem to be polished stones. Her skin is a raw pink, and her hands shake terribly as she walks. There are six fingers on each hand. Pathogen speaks first in her languid tone.

“And you simply let the whelp pass. That is hardly like you, my love.”

The automaton answers.

“Organic or not, to have evaded you and Tower both speaks to its peculiarity. I’ve instructed all my rangers to disregard the thing.”

Tower speaks with a hacking cough, and I study him with increasing repulsion; he seems less a man grafted with machinery, and more a machine with human pieces attached with morbid curiosity.

“The mighty and pure Fortress, allowing a mutt to slip by, right in front of him! How utterly… unexpected.”

The sleek automaton, which I now take to be called Fortress, in one swift movement grabs and lifts the scientist by his neck, calmly addressing him as though reprimanding a laboratory colleague.

“Let us not forget that you and your vivisurgeons wholly failed to even notice the thing for the unbelievable stretch of time it spent in your sphere. I chose to let this dim creature pass through my terrain, having spotted it in mere moments. It spent less than fifteen measly minutes in my factory, whereas you had hours to even suspect it before it entered the passage to Pathogen’s.”

As if summoned by her name, the Ceramic noblewoman steps forward and urges Fortress to lower his arm and allow Tower to cough the pain of his bruised throat. The giant cyborg, who had watched this calmly now interjects, his fiery eyes seeming to stare directly at the pair- Ivory-white and chrome silver.

“Regardless of Tower’s failure to collect and convert the creature, it then survived the predation wastes and the intrigue transept before that. I understand that one of Pathogen’s creations aided the former, but how exactly did it resist the latter? You both assure me that organics are practically incapable of resisting the indulgences.”

Pathogen speaks then, though she seems to address the gaunt creature, rather than the cyborg.

“Mallea assured me that she had something special in mind for this particular prey. I only discovered afterwards that her plan involved a face that the creature was recently familiar with. To my understanding, this was one she pried from one of Tower’s scavengers. Perhaps the being suspected the face’s owner’s fate.”

The Cyborg nods once in understanding, then leads the group to the altar.

“The master has informed me he is aware of this creature, but did not deign to say more on the matter. Instead, he wishes us to focus on the crusade. Nukteos, you are familiar with our new foe?”

The hooded thing responds to this call, now named to me as Nukteos- as the emaciated woman is now known to me as Mallea. Nukteos’s voice is deep and low, accompanied by popping and squelching noises that conjure an ugly image as to the nature of his mouth.

“A sphere not totally unlike ours, but saturated in light, warmth, and a sort of radiation that burns the unwelcome. I doubt the troops will much mind the pain, but I question whether their essence will persevere long enough to adapt.”

To this, Pathogen waves her hand dismissively, her red aura sending out waves.

“My angels provide enough shelter with their eminence. So long as the artillery troops stay under their protection, they will be unharmed. I do worry for the infantry, however. Until we establish a forward base with the proper emissions, we will be actively cannibalizing our forces into that radiation.”

To this the smaller beings all nod in concerned assent, but the Cyborg taps his head with a heavy thunk.

“For this, we count on Fortress’s designs. Without souls to burn, his troopers will be our advance guard. From there, I will offer my presence to shield the more ambitious of the berserkers, and… the master will be joining.”

Silence falls on the gathering like lead rain, and all the candles in the cathedral seem to flicker as one. Mallea speaks in a voice wheezy and faint.

“He… intends to fight?”

Fortress too expresses some incredulity.

“The master need not trouble himself with this campaign, our strength has been ironclad since the end of the first. Why should-”

The cyborg raises his hand, and the doubters are hushed, clasped by some respect or fear for this their leader. Only Pathogen maintains a smug air. Her words are like ice, and I tremble slightly as I remember the taste of the crimson ichor.

“The master does as he chooses. He has told Nect’rus and myself some of his revelations. He wishes to see the new world for himself. You know of his power, of his curiosity. I knew well enough that he wished to fell their champions when the time came, it simply surprises me that he means to begin so early. His generosity is vast.”

Distrusting the weighty silence that has fallen, I begin to attempt the door, but noticing the keen rust on its hinges, I hold myself back until their conversation resumes, and the sound is enough to cover the squawking of the metal.

I have entered a narrow spiral staircase leading downward, turning ever left. I begin the descent readily, leaving behind the voices of these fearsome archons.

The stairs continue for eleven full rotations left, then come out into a sepulcher with a stone coffin in the center, and another door on the far end. I do not attempt to open the centerpiece, and instead proceed ahead through the door.

Here now is a staircase straight forward, that hangs over a dark abyss. I stare down below, paralyzed, then look across the chasm to where the shallow steps lead. The distance is so profound that I can barely make out the far wall. A luminous moss covers the ceiling above, and long glowing vines hang down in all directions, swaying in the abyss. The stairs are wide enough to lay down sideways, but I hesitate still, remembering my fall. Tentatively, I begin.

My footsteps echo into the abyss, and I feel compelled to count every step, as my thoughts balk at considering what I’ve endured. At two hundred and fifty-three steps, I pass close enough to one of the great vines to see it clearly. Its leaves are as big as my chest, and its central trunk looks like braided green rope. Yellow fruit hangs from beneath the largest leaves, and casts a warm glow outward. A sort of undulating motion occurs on the surface, and I surmise that the plant is covered in a sort of moss that is swaying in the damp drafts. I continue.

At three hundred and seventy-seven steps, I pause to sit and rest, facing back the way I have come. Each step has become gradually larger, and the one I sit on is the size of a parking space. The difference in height between the steps has increased as well, though not as steeply.

I think again of the face of my friend. His hair is cut short and well groomed. His chin is clean-shaven. His eyes are blue. I attempt to read his lips, but every time I focus on them, they seem to blur, and I cannot remember the shapes they took. His hand is firm. In his other hand he holds a small book. To my other side is another man, a doctor, I think. A great contrast to the horrible vivisurgeons, this is a short and earnest fellow with a receding hairline and tan skin. He is steadfast in his work, checking my vital signs and preparing an iv line. My friend asks me if I want to do something, but I decline, tight-lipped. My pride will not let me.

The memory does not feel as comforting this time. I regret not doing what my friend asked. I feel that if I had, I might remember better. I wonder why I only now remember the presence of the doctor, and why such a trivial person is so clear in my mind when no one else is; why I can see every pore on his and my friend’s face, but cannot recall how my own face looked before it was reflected in the porcelain of my palm.

These thoughts bite and sting at me, but I am no longer willing to entertain them. I stand, turn to the front again, and resume. By the six-hundred and eighth step, I need to hop from one gargantuan platform to the next, but can see that I am much closer to my goal. I hear a scraping noise, and look to my left to see one of the vines is slowly retracting up towards the ceiling. Its leaves shake and shudder, and it sways back and forth slowly. I feel mesmerized as it moves, and pause to look it up and down. At the top of the vines are holes in the cavern roof, and I hear shuffling from the one this one is being drawn back into. I watch it sway and retract for long minutes, before jolting awake when it stops. I look about me and realize that I have inched closer and closer to the edge of my step, and that my toes hang from the very dropoff. I step back, and shiver, then turn forward, and begin again.

At the thousandth step, each new platform is a drop almost as high as my head, but the exit to the chasm is only eleven steps away. Each step is a tremendous platform, longer than a house and wider than a barge. With a sort of renewed enthusiasm for the near end of the walk, I pick up my pace. Each drop down to the next step is a moment closer to the end of this stage of my trials. At last I come to the bottom, and pass through the pillared arch, entering into darkness. I look back, and see all the vines swaying in unison, shuffling upwards. I turn away, and cross the vacant area past the arch to a tunnel entrance plated with iron.

10: Substrate

As the red searchlight of the porcelain maid’s eyes sweep above my hiding place, I stare at my left hand, seeing my unbelieving face reflected in the sleek white surface. The places where the prosthetic has been attached are still raw and inflamed, but no pain accompanies them. I yearn to call this a dream, to rouse from sleep in my bed, a bed I still cannot clearly recall.

“Come out, come out now! We’ve hardly begun!”

Her voice is almost playful, but I cannot look past the stifling in it I now know comes from her vocal chords fighting their artificial environment, being dampened by the dry rubbers that surround them. My own flesh she would replace to be alike to her gleaming surfaces and false skin.

“Mother will be very sad to see you go, still so soft and imperfect…”

The thought of her mistress is enough to propel me from my hiding place through the open door in front of me, though it leads to an ornate bone staircase that spirals downward into what must be the cellar. Light here is sparing, but the eager footsteps following me mean the maid has heard my flight, mean she is keen on my scent. I rush towards a square opening in the wall, and clamber over the edge to find myself crouched at the top of a slick slope of ceramic leading down into darkness. Even now I can feel the “ichor” doing its work in my stomach, if I still have one, rather than a plastic bag or rubber bellows. I want to puke, but that facet of my bodily function has already been stolen from me. The sight of dismantled maids lining the closet still burns in the back of my mind, tunneling around the sight of a sparse few organs untouched by the converting process: A brain encased in glass, nerves and bones delicately spliced to flexible hydraulics. I even remember the welcoming expression on the face of one, frozen like a statue, facing me as though she could see me in her disassembled coma. Pausing to think what may have been done to me while I slept is paralyzing, and I reject it the moment I see a harsh red glow descending the stairway, as I glimpse the sleek white legs.

I chance the chute. I slide slowly at first but rapidly pick up speed, such that the friction begins to warm the red robe I now wear. With a start, I realize a faint red light follows my vision wherever I look. The chute goes from square to circular, and begins to slow my descent as the material transitions from white porcelain and ceramic to stainless steel and brass. Abruptly, I am dumped on a pile of discarded maids, many with cracked faces and dislocated limbs. I raise painfully and look about, seeing a broad and well ordered warehouse but for the tangled mass of bodies I have been cushioned by. I climb to my feet and begin extricating myself, when a glossy hand grabs my ankle, eliciting a sharp gasp. I lower my gaze and see the broken face of the doll-like woman, whose unfeeling smile only serves to unnerve me further. Half of her face is leaking bright red blood from cracks, in some places it misses whole chunks, revealing the sensor-gridded rubber beneath.

“C-c-c-come back-ack-ack-ack! We’ll miss-iss you-you-you-you-youuu…”

The lights around her bloodshot eyes flicker and dim erratically, and she spits lubricant when I yank myself free of her grasp. Charging through the neat aisles, I catch only glimpses of my new environment; cranes hang from the ceiling, and racks upon racks of unclear machinery sit on shelves and beside conveyor belts, evidently awaiting some call to use. Ahead is a door, and I breach through it without hesitation. Another catwalk. At this, I am willing to slow, as my pursuer’s pace is surely affected by her poor condition. Below me is a factory fit to span whole city blocks, with cranes, smelters, lifts, belts, and assembly decks reaching so far that fog begins to cloud the horizon. The catwalk system on which I stand is linked to a series of rails with dangling hooks, on which hang the vacant bodies of hundreds of robots, each boasting some strange instrument for its left hand, and a series of six dark eyes above its ventilated mouth. As I creep towards a sort of way station at the end of my catwalk, I study the lifeless frames, estimating them to be intended for combat by the look of their armored carapaces and the number of firearms that litter the construction lines below. Another rail that comes up and runs parallel with mine holds a different sort of machine, a body beset with a number of dark panels coated in some sort of clear polymer. Drawing closer to the waystation, I notice a tower of some sort just below it, a dark circular pillar with rows of blinking indicators and yawning ports. A small screen above the pillar sports a timer soon approaching zero. I gauge this to be of some importance, and am relieved to reach the waystation before it has ended, slipping within with urgency. The station is composed of four walls with viewports looking outwards, and a number of screens, with a hatch leading down and a ladder leading up. As I reflect on the prospect of the ladder, a condescending and masculine voice with a metallic rasp emits from an unseen speaker.

“Power cycle complete. Reboot in five. Four. Three. Two.”

All at once, the lights in the factory flicker on, and the production resumes where it left off. Rails carry their frames off towards unknown destinations, assembly lines resume crafting their weaponry and metal limbs. More importantly to me, however, the screens of the waystation blink on, and project images of various locations. I approach the wall through which I entered and regard its screens with disdain, recognizing the marshland, the ruined city, and the labyrinth of subterranean rooms through which I have already passed. I think to consult the other screens as perhaps warnings of future trials, but am pulled from my thoughts by a sharp klaxon as the broken maid pushes through the door to the warehouse.

“C-co-co-come-come-come back-ack-ack-back, please-ease-ease…”

The masculine voice recurs from above.

“Acquisitions. Apprehend one- check- two faulty discards from Pathogen. Potential interference with productivity. Organics.”

The last word is projected with a degree of malevolence that speaks to hate, and prompted by the sight of two robots armed with rifle-like weapons jumping up to the catwalk from the floor, I begin to mount the ladder. I push through the hatch above as I hear an electric whine followed by porcelain shattering.

I have entered the latest of dimly lit hallways, and begin running towards a metal door with a blinking red light above it. A camera follows me as I get closer, and the voice comes again.

“Check, second subject is only partially processed, still 85% organic. 84.5%. Estimate process halt at 79%. Subject will maintain a strong sense of self. Requesting new orders.”

The sound of the hatch bursting open behind me does not cause me to look, though I am compelled. I slam into the door and pass through, closing it behind me and jamming a bar through the handle. I turn and make ready to run, only to stop dead as I come face to face with a towering robotic humanoid. Standing at seven feet tall, the chrome frame boasts efficient armor and intricate hands- one of which is extended almost gingerly towards my face. The voice now comes from his skull-like face, pronounced by a ribbed speaker set where the mouth might have been.

“Curious. Pathogen took a liking to you, then. And you managed to avoid all of Tower’s silly little hybrids?”

The machine leans back and lays its hand upon its chin as if considering me. The enforcers burst through the door, bending the bar, but their rifles are no longer raised in aggression, and I can see no other exit outside of the one through which I came. The machine man turns and faces a row of monitors through which streams of images flash faster than I can process. The gleaming ocular sensors within his dark sockets flick back and forth dizzyingly fast. He lifts his hand up and presses it to the side of his head as if nursing a headache. All the while, I study the sleek shell of his body, a wonder of engineering so perfect that the seams are only known when in motion. Finally, he turns to face me again, causing me to notice a bundle of wires that drape along his back and link to the floor.

“I see. You escaped the harvesters, the sleepers, the vivisurgeons, and even the indulgences. Perhaps there is a plan for you yet. No, there certainly is, else your progress would have stirred something already. Very well, I calculate a chance of one in nine to the four hundredth that you will pass unharmed to the core. Let us see if fate or her master so favors you to make it there. I imagine Pathogen and Tower both will have expectations. She in your favor, and he- well, no mystery there.”

He waves his hand in a motion highly dismissive of the importance of his words, and gestures with a lazy finger towards a panel in one of the walls.

“Carry on, then. I’ve no need to cleanse you, so long as you leave without further contaminating my plant.”

The panel pops open, and one of the enforcers shoves me towards it. I do not need further encouragement. I hurry over, and throw one last glance at the disinterested automaton that has thus far been the least involved in my struggle. He glances at me, and I sense a degree of contempt, or perhaps disgust in his stare.

“Hurry along. Do not mistake my impartiality for leniency. If you linger, I will add you to a biogenerator, and your end will be suitably messy and painful.”

I descend into the shaft, and the panel shuts above me.

7: Subsistence

I find that I have entered a room made mostly of iron and stone. What unnerves me, however, is the webbing of red arteries that clings to every surface, pulsing with the flow of liquid within. The growths end in small tips that connect with the walls, ceiling, and floor, and seem to carry their fluid cargo to these spots. The room itself has three openings, the first of which is the shut gate of the elevator behind me. The second is an iron gate that might typically present the entrance to a property outdoors, juxtaposed against the doorway it occupies, through which I can see a long corridor that seems to become more fleshy as it continues into darkness.

I approach this gate reluctantly, and press it lightly, finding that it swings open readily. I look back at the third opening to the room; A staircase descends down into an area that is better lit by a light like incandescent bulbs gathered in great quantity. I turn forward again and shudder, pulling the gate closed and making my choice. I make for the stairs, avoiding stepping on any of the vessels.

I have entered a broad open space that is lit from around the corners of gaps in the walls too narrow for ingress. Raised platforms make up tables over which translucent sheets are laid, to cover whatever might be laid upon them. As my eyes adjust to the welcome light, I pick out etched writing along the bottom of each platform, in a sharp language that I do not recognize. As I continue deeper, I feel a faint sense of pressure at the back of my head, and there is a dissonant ringing in my ears, as though someone is singing a dirge.

The music does not remain in my head, but moments later is confirmed by the sound of shouting, screaming. All around me, from beneath the sheets, hands stretch up and claw desperately at the air, prevented by the white material, supplemented by the pained shouts of the owners. I am stuck in place, transfixed by the overlapping screaming of men and women alike. More and more hands strain upward, more than should be possible from bodies within the platforms. I begin to run, again. There are stairs further down at the back of the room. I am discomforted by the etchings in the walls there, but most anywhere seems preferable to this cacophony of agony. Light and heat streams up at me from below, but I gladly continue to descend as the voices become more distant.

As I slow to a more sustainable pace, I rest my hand on the wall, and look back. The wall feels porous, rough. Though I feel the urge to submit, to roll over and die, rising in my gut, I force it down. I cannot yet. This hell cannot be where I end. I swallow dryly, so very dryly, and press on.

The stairs continue for what feels like hours, and at times I pause to give my aching feet a rest. At last, I come to an alcove to the side of the continuing steps, and lean my head in. A faint odor of sweat emanates from this chamber, and I hear soft voices. Though I recall no friendly encounters, no person who is not sadist or victim, I press in, hoping against hope that I have found a clutch of survivors like myself. The hall is squat and wide, and seems laid together from prodigious stone bricks. My hair brushes against the ceiling. The voices become clearer, and I make out what seems to be an exchange between two women, one who seems close to crying, and the other who comforts her in a language I do not know. There are many harsh consonants, and short vowels.

I come to the end of the hallway and turn the corner into a broad chamber with many translucent fabrics draped from ceiling to floor, tainting the light of many candles into a pink glow. The strange fabrics form a maze that I traverse slowly, my hands brushing the drapery. It feels warm to the touch. I hear the women sighing and huffing as though frustrated or bereft of someone dear to them. The walls and floor are of a pale, ivory wood, with unusual grains woven across boards that narrow and widen strangely as I cross them.

I find myself passing the last few layers, and am greeted with the sight of two people kneeling upon a bed, their smoky outlines in the fabric portraying a strangely languid scene. I draw closer, and one calls out, facing me. She rises from the bed and presses herself to one of the curtains between us, clearly painting the image of her body. I hesitate, her voice is familiar. I at last round the final curtain, and am greeted with the lurid sight of two naked women staring at me, their faces pulled into smiles, their hands extended in welcome. I hear my heartbeat in my ears as the one that rose earlier comes closer, and I immediately recognize her as Julia.

“You’ve made it. Welcome, come, lay with us.”

I take a step back, as I remember, ruefully, the last I saw of her, lying unconscious upon the table of the man on the surface, whose words haunt me now more than ever. I can see on her no traces of the trials we endured, not even puncture wounds upon her arm where he grabbed her. She frowns, and pulls away to sit invitingly beside her companion, who strokes her hair affectionately.

“Won’t you join us? It’s better here, no lunatic surgeons or monsters, or collectors. Only sensations.”

My feet seem to ache more at this offer, and I consider sitting with them. My clothes itch, my body shakes with exhaustion, my eyelids droop and my throat stings. But as I look in disbelief at Julia, I notice a smudge of red on her thighs. She seems to notice my confusion, and pats the spot as if calling me to it.

“Not to worry. Please, come and stay. There’s nowhere ahead better than here. You can stay forever.”

A twinge of distrust brings my senses back to full alert, and I watch in terror as her companion leans in as if to kiss her, but pulls her head back and drives a thick bony needle from where her tongue should be into Julia’s throat. Julia moans in something that might be pain or pleasure, even as I see her blood pour violently down her chest in striking waterfalls. The woman pushes her down onto her back, and crouches over Julia, her spinal column strikingly sharp under her skin. I now notice other details about both of them, like the hairline seams in their skin around their joints, and the unnatural length of their fingers.

I begin to flee, running back through the curtains, tearing some as I pass. I am revolted as I notice arteries and nerve clusters in them being shredded, driving sharp moans from the things behind me. I race desperately through the hallway back to the stairs, and am so eager to continue downwards that I trip, and begin to fall.

I wake at the bottom of the steps, bruised and bloodied, but alive. I rise to my feet and grip myself with shuddering horror, and glance about myself. Behind me is a long and narrow obelisk through which the stairs must run, leading unfathomably high up into the sky until it fades into the noxious green clouds. The ground beneath me is soft and wet, and seems rife with brownish narrow grasses. The sky is bright and gray, and speckled with the forms of solitary birds. I watch a pair of these meet and begin fighting, until one eventually drops like a stone, and the other swoops down for the spoils. In all directions are clumps of lumbering four legged creatures like gorillas, easily ten feet tall. They are faceless masses of sinew, bone, and muscle, and pay me no mind as they march about, though their bony hooves worry me.

Directly to my left I see a structure that rivals the monolith from which I have emerged. An immense castle of soft pinks and yellowed whites, with banners stretching from each pinnacle to the outer wall, stands resolute on the horizon. This, I decide, will be my destination, once I overcome the shaking and weakness in my limbs.

Many of the terrible beasts are heading in the same direction as I am now, and I entertain the possibility of sparing my legs by seeing if one will allow me to climb onto its back. I cross over the marshy plain to come up alongside one, and contemplate its hideousness. All red and slick, its front is shored up with what is surely bone and keratin. A chitinous substance protects much of its legs and back, and bone spurs jut from many of its joints. I prepare to grasp one of these in an effort to climb it, when I notice that its face has turned back towards me as it marches. A single seam runs from top to bottom of the ovalloid head, and I detect breath whistling and snorting from this crease, soon surmising it to be a mouth. I resolve not to ride the beast after all, and am grateful to have reached the decision when I did; The mouth opens to two rows of thick molars as large as my hands, and the beast makes a noise that could be the whinnying of a deranged horse crossed with the roar of a grizzly.

Thankfully, it loses interest in me, as a bird thing has swooped down closer, and I now see that the flying thing is closer to a four-winged bat, with a face like an insect, with hundreds of human eyes glistening on the sides of its horrid head. The flier shrieks through a beakish mouth, and the beast makes its uncanny howl again. The bird-thing swoops down and rakes its four clawed feet across the back of the beast I nearly attempted to mount. I begin to retreat in weak terror. The beast swipes its forelegs at the attacker, which is made wary by this defense, and seems to turn its many eyes on me. My heart feels set to burst with dread as it drops in to grab me with its talons, which I now see well enough to call true claws, at the end of almost canine limbs. As I fall to my backend, the monster suddenly halts, and is yanked backwards with an ear splitting shriek of protest.

The lumbering beast has the bird-thing by its long sinewy tail, its front hooves now revealed to be a pair of opposable fingers pressed into a cloven knuckle. The beast stands on its hindlegs with difficulty, but pulls the bird, which now seems frail by comparison for all its thrashing, close enough that the beast can bite around the horrible head of the thing, and crush it with a mighty display of muscle. The victim goes limp, and the winner sits back to feast noisily on its prize. I am stricken senseless, this only the latest in a series of trials.

Once the bone-brute has had its fill, it returns to all fours, and plods along once more, and I am possessed of the urge to stay nearby, as this thing has cemented itself in my mind as worthy protection. Our journey is a long one, and we are soon joined by more brutes, each sporting slight physiological differences. I notice that mine has begun developing a pair of human sized arms in its chest- limbs incredibly alike to the talons of the bird that attacked us- that it occasionally leans its head down to for an almost dog-like scratching. Other brutes boast similar trophies that I surmise have come from other prey; one sports a set of horns on its head, another has spikes all along its back, and another still has a tremendous pair of leathery wings folded at its shoulder. I feel a sort of fortune that my chosen brute seems to be on the larger side, as one of the more typical ones approaches with the apparent intent to make a meal of me, and add something of me to itself, but my chosen beast snaps territorially at it, shooing it away.

As the herd and I come close to the castle, I become aware of two things- firstly, that the castle itself is made of a white brick that seems carved from bone, and secondly, that a pair of tremendous creatures stand watch at the bridge over a suspicious red moat. These are nearly humanoid, with long arms ending in chitinous shears, four legs much like those of a hairless lion, and tails curled up and ending in a suspiciously sharp tip. Their faces, like the brutes’, are featureless, but host a single eye where the mouth might belong. Both seem to spot me immediately, and raise their arms with an intent I care not to learn.

The brutes pass by unharried, and I am soon left standing alone, unwilling to proceed forward and risk the giants’ Ire.

3: Subversion

I need to catch my breath. I crouch and gasp for air, again feeling the dryness that informs me that I have not had an answer to my thirst since waking. I look about, and see that I am in a room lined with dented and disused metal lockers. Benches rise from the floor between each row, and I surmise that I have reached a dressing area of sorts. I look up, and am greeted with the discouraging sight of rusted hooks hanging from the ceiling, swaying subtly with the wind of my arrival. I resolve to move, and journey a bit further before coming upon a room with many shower heads, separated from the first by a chest-high wall. I feel a glimmer of hope ignite in my chest, and approach one of the fixtures, laying my hand upon what promises to be the knob to call forth cold water, a salve to my aching. I turn the knob, and wince as it squeaks with resounding noise, but indeed blesses me with liquid.

The water is warm, but I drink regardless, finding it unfailingly sweet upon my tongue. The patting of every drop against my clothes is a comfort I have unknowingly longed for. But I hear, over the spray and splatter, a sound that fills me with renewed dread, the uneven step of something heavy and eager, drawn by the noise I have made in my haste. Pulling away from the water is agony, but I mount the wall and shove myself into one of the lockers, closing it as gently as I can, ignoring the stiff protest of my shoulders to be forced into awkward angles against the metal. The gait draws nearer, and I can picture the lumbering thing that makes them without seeing it, but none of my predictions prepare me properly for what rounds into view through the rhomboid holes of my shelter.

The monster is a thing of skin and flesh, but also the same plastic and metal that has made up the other things that have pursued me up to now. It moans softly through its scratched lips and sways its head from side to side as it enters the shower area in vexation. Its head is like an apron of skin pulled tight over a cracked lead sphere, with only a pair of lengthy thick sections to act as the borders to its mouth full of oxidized teeth jutting from bloody gums. A throat of rubbery tubes interwoven with bloated arteries and frayed muscles hoist the uncanny organ above a body of similar design, with tendons and fractured bones clutching at ribbed and misshapen mechanisms perilously connected to real viscera. Three arms- which seem to share only enough flesh for two, supplemented by steel and warped iron- clutch at the air until one gently settles on the knob of the still-running shower and silences its hiss. The creature raises one of its six-taloned hands and caresses its smooth head, grinding its teeth in a hideous grin. The intestinal tract that drapes over its pelvic area only partially conceals the stuttering movements of the insectoid, mechanical legs that drag it back towards the first room, unpleasantly close to where I hide. It opens one of the lockers and hacks a foul sound from its throat, the grating of metal an additional displeasure in its labor. It pulls something from the locker it has opened, and closes it almost gingerly, tossing what I now recognize as a limp body over its shoulder and stalking out of sight. I listen in revulsion as I wait to hear it recede, but am troubled when it seems to stop short. The next sound is that of something being lifted, then the rattling of a chain as great weight is placed upon it.

The cyborg beast makes a series of short guttural coughs, then opens another locker. I hear it lift something out, then the high-pitched whine of a small motor being tested. My skin crawling, I hear the motor begin in earnest, then deepen slightly in pitch as its implement- a blade or drill- is made to bite into a soft surface. This sound is joined by the groaning of the monster, and rapidly by the stifled, muffled shouting of the man he carried. Anguish fills the air, and I shudder unwillingly as the motor again becomes labored, having found something harder beneath the soft substance. The man’s shouting has become agonized shrieking. I close my eyes and grit my teeth as I hear the beast gurgle and squeal as if delighted by the results of its merciless actions. The motor stops a moment later, and I hear through the pained calls of the man that the monster has set aside its implement. It grasps something new, and the man’s screams become more desperate. There is a sudden squelch, and the voice is silenced. I open my eyes again, and look around the locker as more wet noises come from behind me, ever serenaded by drunken grunts from the laborer. There is nothing to comfort my sight as I hear a new tool turn on, and identify the sound of something being affixed by screws that bite into soft, then harder material.

An affirming belch comes from the creature, and the process begins again, but this time the man makes no complaint as the primary tool settles into its work. Exhaustion lays itself over my body from the strain of deciphering the distressing work being conducted out of my view. I slump in the uncomfortable position I have taken. The process continues, and repeats, with new facets being added in each cycle, sometimes with the return of the man’s pained, begging screams, only to return to silence at the presentation of a repeated squelching sound, something I decide must be an injection of a sedative or paralytic. The latter strikes me as more likely, somehow.

After what I judge to be multiple painful hours of this, The work comes to a close with the shutting of a locker door, and the receding dragging steps of the surgeon, gurgling his satisfaction as he goes. I do not wish to leave my hiding place, and the stiffness of my limbs assents with the preference. But as I contemplate the option, I consider that the surgeon may return, may open my locker in search of a place to stow a new patient, and find in me yet another. I strain, and shift my pressure-numbed limbs, fighting the comparably easy pain of pins and needles, and slowly, shakily open my door.

The metallic taste of blood in the air washes over me, having been previously masked by my own sweat. Swaying with nausea, I find my adrenaline pushing me around the corner and into the front of the room, where I am visually attacked by the result of the surgeon’s labors.

The man can hardly be called as such any longer; he more resembles his torturer than himself. In places his skin has been peeled away and replaced with plastic through which his organs can be seen, pulsing with the flow of his blood. His face has been complicated with a series of tubes that lead into his mouth and wrap around to a device that has been affixed to his ribs on his back. His fingers have been augmented with uneven iron claws, and one of his legs has been severed and replaced with a pair of many-segmented limbs ending in spurred spikes. I retch, and cover my mouth as bile seeks to climb my throat at the realization that I can see a handful of blinking lights sticking out of a rubber bag that has taken the place of his stomach. His head shudders slightly, and one of his eyes opens; the other has been instead mounted with a trio of black lenses. He strains his throat as though intending to declare his agony or beg my aid, but all that comes from his mouth is white foam.

I flee. I do not take the passage that would lead back to where I first came from, but instead turn down a corridor that suggests a gentle slope into the ground. Anywhere is better than where I have come from. I pass through doorways, take turns, and unquestioningly take a ladder up to a catwalk when I am presented the option of it or a door that proves to be locked when I attempt it.

I stagger across the catwalk and fall to my knees, heaving breath, fighting the outrage of my stomach that demands to be emptied in protest. It is empty already. I shiver, and place my hands on the metal, and try again to grasp my surroundings. It is dark, and I can see a number of chemical lamps beneath me, casting their diseased light over rows upon rows of sleek capsules of metal. I close my mouth against my gasping breaths, and rise to my feet, leaning on a railing for support. I begin to hear again after the deafening sound of my own panic has subsided in my ears, and I detect only the hum of electricity. I have not been followed. My nose for once declares that the air is tolerable, containing only the smothering presence of oil. I resume moving forward, now cautious of the possibility the catwalk presents for making heavy footfalls resound with great calamity. Below, a door opens, and I slow my pace further as I watch a trio of humanoid forms stalk calmly into the vast chamber. With so much space, their voices echo loudly to reach me, but I am struck by their qualities. The first is a woman’s voice, smooth and devoid of apparent aberration, certain in itself.

“I care little for your experiments, Tower.”

The next is a man’s voice, increased artificially with static and digital noise.

“So you say, but you know very well that my children are effective. Even their defective progeny produce results.”

The third figure does not speak, but seems to follow the woman with solemnity, as though it awaits instruction from her always. Its head bears curved horns. She turns and lays a hand with long fingers upon one of the capsules, causing it to light up within. The metal clears in an oval radiating from where it is touched, revealing a person’s body submerged in fluid within. Wires and tubes sustain the body, and various protrusions indicate that it has been grafted with a multitude of mechanical parts.

“A disgusting mutt. Even Fortress understands the beauty of totality. You claim efficiency, and yet you offer me sculptures with lopsided and uneven bodies, that on occasion make a mess of their surroundings with their excretions.”

The man, who she addresses as ‘Tower’, bows his head, and rasps a sigh in displeasure. The woman, whose hair seems to sway in slow motion as she moves, withdraws from the capsule, and folds her arms. As my eyes adjust to the low light, I detect a faint red glow about her, that follows lines in her body, and concentrates around where I estimate her eyes to be. The yellow light of the lamps paints her sickly and pale. The machine-tainted voice raises again.

“Fortress would do away with everything you love if he could. He hates his task as surely as he hates you.”

The third figure suddenly lashes out, and grabs the stunted figure of the man, who coughs violently in response to being raised. The woman unfolds her arms and turns away. I check my progress, and see that I am almost to the edge of the room.

“Fortress is obedient. He is clean and decisive, and for these reasons he has my love.”

The man chokes out his words with great difficulty.

“He would… overthrow you at a moment- moment’s notice… if he thought he… had the chance!”

The enforcer drops the man, and leaves him to sputter on his hands and knees as the other two recede towards the door. The woman pauses at the exit, and seems to laugh under her breath before replying to the statement.

“As would any of you. That’s why I don’t give you the chance.”

The door slams shut, leaving Tower to gather himself. I find that I wish to leave, make it to the end of the catwalk, and slowly push through a door of my own, casting one last glance to the scientist affectionately petting his experiment capsule. I close the door, careful not to make a sound.