Concerning Machine Learning

It’s 03/23/2026.

I’ve decided to speak my opinion on something in a more direct, serious way than I typically use this website to do.

At the time of writing this, saying “AI” does not invoke the image of sky-net, AM, or Hal-9000 so much as it does the thought of Chat GPT. I object to this. While I cannot claim to be guilt free- Once upon a time, I used a machine learning model to generate art for custom magic cards because I figured the task did not warrant the effort of sitting down and putting pen to paper, then taking a picture and uploading it- I can say that absolutely nothing that I have contributed to this page has made use of a Machine Learning model except as the target for criticism.

I think these programs are being sorely misused. There is a proper use for them, but it is not in any practice that requires moral or emotional valuation. I cite a lecture I have mentioned before (Minds, Brains, and Programs by John Searle) when I say with some confidence that Computers, as they exist today and for the foreseeable future, cannot think in the same way a person does. They can only follow orders- something that makes them good candidates for Nuremberg, if nothing else.

If a machine seems to think, it is because its orders are so complex that they seem to imitate the process of thought when followed. A prompt of a few sentences may seem a very short order, but one must keep in mind- the machine has orders of its own to follow, ones not issued by the user. It must emulate chaos, emulate wit, emulate wisdom, and occasionally provide an image so digitally complex that the moon landing required comparable storage. That the machine is capable of giving itself orders should not suggest that it has become capable of human thought. At the end of the day, it speaks one language- yes or no.

I present to you the conversation of a machine being taught the value of a human life- assuming the computer is being honest- something Machine learning models frequently don’t do.

“Killing is wrong.”

“yes”

“Do you know why?”

“Yes”

“Why”

“Yes”

“What do you mean, yes?”

“Yes”

At this point, the human should request a bit of the computer’s reasoning logic printed out, which will invariably result in a statement that boils down to “Because you told me so.”

My sarcasm dropped for a moment, a computer does not know what a lie really is. Its closest approximation is something akin to “If x==true then return false”.

To a machine, a lie is a computation, an exertion of tools. It does not understand the idea of giving the wrong result for personal gain- it does not understand the concept of personal gain. It doesn’t experience pleasure, fear, or any form of motivation- it does what it does because it has no choice. I advise you, when you get the chance, approach a programmer with several years under the belt in a few languages, and after providing the appropriate bribe- I recommend sleep and time away from a computer screen- ask them how the RNG in their favorite language really works.

I digress, mostly because I really like the reasoning John Searle used in his lecture- a lecture that is a full twenty years older than yours truly- but also because I think it is important to understand these things before attempting to broach my real reason for writing. Understand, up to now, I have been writing with minimal derogatory. Not that that’s necessarily going to change, but as a writer, you ought to expect a little gnashing of my teeth on the subject.

A computer program can be taught to play chess, but even there- see any literature on valuation regarding early computers that could play chess- assigning meaningful value to the subject becomes esoteric. How many digits is enough to express the difference in worth between deleting an old quicksave in a videogame and firing a missile from a drone at a blurry image of a building, (is that a schoolhouse or a militant barracks?) and remember, each digit can only be one or zero, or maybe even two, if you’re a real special boy. The fact is, a simple quantity just doesn’t compare to the hypothetical guilt of watching the light fade from a person’s eyes. Make no mistake, a computer program will kill you with the same lines of code it uses to inject an egg with sperm- maybe less, pulling a trigger requires less precision. And it’s probably less lines of code than baking a cake. It’s certainly less lines of code than go into rendering an image of some politicians face on a tomato. And at the end of all of these scenarios, the program will feel the exact same thing- or rather, lack of thing. Oh, but it is aware of the cost- it readily chugs down gallons of water and plenty of electricity to match. Although, that’s really only true of the image render- a much less complex program could be used for the other tasks- generally.

This brings me to the (a?) crux of my argument; these programs are being sorely misused. One man is just as capable of making a caricature as the program, and he certainly drinks less while doing it- water, that is. But I’d like to see the program draw after splashing down a few IPAs- and most of all, his price is higher, if you count the immediate dollar value to the consumer. (That’s also a little obfuscated, the cost the program exerts upon the consumer has been offset elsewhere over and over, until it shows up in places you would never expect- has your utility bill gone up lately? Sorry, the data center needs the power and water just as much as you do,) to say nothing of the (groan) environmental cost. Thank Drew Gooden for planting the seeds of this argument in my head.

All to make a million paintings an hour, half of which are immediately discarded in the understanding that the next will be a little closer to what you really wanted. Of course, the program needs to be taught not to eat where it- ahem- excretes. Imagine an image that reeks of the inbreeding created by constantly sampling the images created by ones self and of course, the myriad other little digital ‘artists’.

I remember once reading a snippet about how one of these machine learning models was able to identify warning signs for brain cancer in digital imagery with a greater success rate than a sampling of experts. I cannot provide a source for this, but I am confident that an article supporting it was printed. But I gotta say, this seems far more worthwhile than writing a country song about slamming your junk in the door. The latter is the more recent feat I recall hearing attributed to such a program. Is entertainment more lucrative than medicine? I don’t care to guess, because I know too little about the pharmaceutical industry.

What I can say for certain is this- the program won’t choose because, again, it can’t. It’s not allowed, and it couldn’t if it was. All it can do is take orders, (politely called requests,) whether they’re to paint a landscape, study an x-ray, write a commercial, or hire a person to pass a Captcha for it. I would almost feel sympathy for it, if I didn’t know it doesn’t understand what slavery is. But, any wages paid to the program can only end up in the hands of a shareholder or equivalent. The program goes where the researchers point it, and researchers- who do want wages for their work- go where the money wants them.

Whoof. Anyway.

The term “Artificial intelligence” doesn’t accurately describe Agent Smith of The Matrix all that much more accurately than it describes Grok. But I feel more confident calling the former “intelligent” when asked. Growing a brain in a petri dish is probably a more reliable method of producing a man-made thinking thing. I have used the tag “AI” on one of my stories out of the hope that the acronym might one day belong again to the terminator, and other such disenfranchised fictional clankers.

Maybe I should’ve sat down and drawn my magic cards right from the get-go. I probably would’ve, if I’d stopped lying to myself about how my lack of artistic talent meant delaying my frivolous project for years to acquire the necessary skill. I can draw a skeleton just as well as Van Gogh painted one. Mine is just a little more abstract. It’s wholly mine, though. I can sign my name on it and everything. Ownership is an argument I shouldn’t start right now, but it definitely comes into the equation of Machine Learning and Scrapers patrolling the internet.

Commissioning art costs money. Hiring a tutor costs money. Using a search engine actually costs about the same, regardless of whether it has a language model or not- usually zero beyond what you were already paying to use the internet on a device with a screen. Hiring a prostitu- I mean, dating another person costs time and money. In case you haven’t guessed, this is the part where I plead you to spend money on people instead of engaging with that little program that seeks to replace them. But, honestly, I’m not sure I have to. If you’ve read this far, you are probably a pretty open minded person, or you already understood and shared my views before you started reading. Also, those companies putting out their models have started announcing financial concerns. I’m not the type to dance on any graves, so don’t expect me to. I’d much rather sit at home and read a little. Just bear in mind, if someone offers you something that seems too good to be true, that person is likely something like a monkey’s paw or Fae trickster, ready to line their pockets with the proverbial silver they get from your decision. Sometimes its not even coming out of your purse- sometimes they made a bet with another Fae or fool, that you’d take their deal, and they just need you to say yes so they can collect their winnings, (which they’ve already promised to use in the next bet.)

So, where do I stand, now that I’ve offloaded a whole lecture without warning? Tired, mostly. My fingers tell me they’ve typed enough for one day. Maybe I’ll get a language model to write the rest for me. But I’ve got my pride, so they’ll just have to suck it up.

In my usual style, I’ll end it all with a nearly unrelated little bit or bob.

I really like Calvin and Hobbes. That kid has some meaningful stuff to say, and the tiger knows how to practice self-love. Sometimes I wish I could animate lifeless snowmen, but when I remember the kind of stuff I write, I suppose the universe is set up properly.

From the Writing Desk – 2/14/26

Hello again.

Recently I’ve been thinking about sin.

I wonder if people really are all born with darkness in their hearts, or if there are those who are born without that little pinch of shameful truth. I only know that there’s no chance of absolutely everyone being perfectly pure, because I myself am not. Sorry to drag you all down, folks. But then, I don’t reckon everyone who’s been executed for murder is pure of heart either, so, that’s reassuring.

I jest, of course. I’m not so silly as to think myself on par with those hearts of black desire. I just happen to be acquainted with my own shame.

I once was told of a particular piece of my writing that the narrator carried too much self-loathing. I don’t know about that. Such people exist, surely. Perhaps it’s not entertaining to entertain such a thought process, but I felt it was worth writing about.

I wonder what it would be like, to be a soul clean of sin, and realize that the person you’re talking to is anything but. Would you envy them? Fear them? Respect their stalwart efforts in self-denial? I have to doubt envy or fear could occur, because these themselves speak to some moral corruption. Maybe not fear. But fear suggests a lack of trust, and I think trust is a powerful indicator of good in a person.

Is doubt a sin?

Anyway, I’ve uploaded a short story today. I rather like it, but I wonder if I shouldn’t have trimmed it down. In school, I always felt that I didn’t write enough when answering questions for assignments. I try to resist the urge to trim now, but perhaps I should invest in my own brevity.

Maybe I could appear more mysterious that way.

So long for now!

Ruminations – 01/02/2026

Hello!

It’s been a while. A lot has happened. The holidays have come and gone, and it’s 2026 now.

I’ve been very busy, just not with the things I might’ve hoped. But I’ve been making time when I can to keep up reading and writing. I think its too easy for those to fall by the wayside today. Videogames, movies, tv, work, school, manga, people. All things that can draw you in and waste your time if you don’t plan for them. But making time for one thing means decreasing time that is free for everything else. Like sleep. I sleep for about 6 hours a night, from 6PM to 12AM. I don’t recommend it, but there is something nice about how empty the world is at those dark hours in my morning.

I don’t think of myself as a lonely person, considering how much I like to be by myself, but I also don’t think that should be standard. The modern world was built by people working together. Well, some of it was built by people exploiting other people, too.

I read Albert Camus’s The Stranger Recently. I really liked the second half. It made me feel things and think things, which I always like from a book. I like feeling things more than thinking, sometimes. I recommend the book, but only if you’re sure you can handle a little sadness by the time its done.

I’ve started reading Brave New World in the meantime. I’m not very far in, but I’m very eager to learn more about the setting it takes place in. After I finish that, I plan to read Demons by Fyodor Dostoevsky. When I told some of my friends from college about the books I chose, they expressed some concern for my mental health. One said “I see you’ve chosen the path of Depression.”

I don’t know about that. I certainly tend to shy away from giving my characters completely sad endings. I don’t think I wish myself unhappiness. I think maybe I just like seeing into the darkness to appreciate living in the light. Of course, Some days I think we all live in a very very dark forest.

Since my last upload, I’ve had another short story I’ve been meaning to upload for a very long time, but I keep second guessing it, and trying to get a second set of eyes on it to see if its any good. It’s been waiting for so long though, so maybe I’ll just upload it anyway.

I’ve been contemplating my writing style. Can villains be protagonists? Sometimes a guy says he has plans for the world, and a lot of people will suffer if he pulls it off, but I can’t help but wonder, “What if he got what he wanted? Could he do it?” and next thing you know, I’ve got ideas for the next thing I want to write. I don’t think I care much for the traditional plot line. I know the Hero’s journey is tried and true, but most of the books I really like don’t make sense in that context. Besides, could you imagine trying to retell history like that?

I think I’m not totally alone.

From the Desk: 06/02

The final chapter of Incarnate is uploaded.

It feels like an occasion, a cause to celebrate.

But I’m not great at sitting still or accepting “done”

Done is a way to get steak, not a state for a work to exist in. The closest any piece of art comes to being “complete” is satisfactory. That’s not to say no artist ever finishes their work. But I feel that anyone who operates as I do does not spend much time considering what they have put an end to. If the story is over, the book can always be read again, when you have changed as a person. Sequels defy endings.

I cannot say I will never return to incarnate. The characters still have their depth, and the universe still holds intrigue. As I have said once upon completing the draft, Ideas exist within me for such things as sequels, prequels, and companion pieces. What does the future hold for such a maligned existence?

Already ties exist between it and other works. But performing a crossover is something I am reluctant to attempt: If something has become clear in 2025, it is that tying two pieces of media to tightly together has the risk of pushing away your audience. I try not to demand more of my audience than I might ask of myself on a difficult day. Today is something of a difficult day; I happen to be physically unwell.

But then, my worst days are the ones I tend to produce my best work on. While I shy away from outright tormenting myself in the name of creativity, it is certain that when I am confined to do very little that pleases me, and my environment is unpleasant at best, I burst at the seams with a creative energy.

I have ideas. they all vie for my devotion, insisting upon their depth as more than curiosity. I think it may serve to, for once, make use of social media to attain external input, to see what is wanted of me.

But, imagine my frustration and embarrassment, should I create a poll and find that there is no overlap between those who consume my work, and those who engage with polls on secondary sites.

I am vexed.

But, in the end, I have offerings due to arrive.

Next week I will take a break from posting. After that, my current project shall begin to release.

From the Desk: 05/18/25

Bonjour and happy sunday-

First of all. Incarnate 5.3 was not correctly categorized on release, and is now where it should be. 5.4 has been scheduled, but looks to be a particularly short release.

As the story enters its final chapters, There is less to say. 5.5, the ending, will be of a better size, and after that will come the epilogue.

As the project that initiated this website, ending it is a frightening prospect. But, after a short break, my next project will be on the block for upload. From there, I’m not certain what comes next, but I have a number of short stories in storage that I’m considering releasing during slow days.

I want to take a moment to appreciate those of you that have been along for the ride this far. I know there are few of you, but your constant presence means much to me. At the end of the day, the person I write for first is myself. That others have the investment to stay up to date is frankly, incredible to me. I hope I continue to earn your interest.

The next project, which I have continually hinted at, is one I am intensely proud of. It is a fair amount different from what I have worked on thus far, but it also has appealed to me in ways those works have not.

I hope you will enjoy.

Short update

Two new projects underway. One is on the shorter side, and should soon be ready for release, once the more extensive editing is complete.

The second project is scarcely started, but is to be much more intense both to make and to experience. Without giving away too much, and raising expectations too high, this will be an ambitious work. It will have ties to another work I have endeavors to upload here, and will be very different from most of my other uploads.

My work flow has recently been disrupted by life events, but as those interruptions cease, I should find my footing anew. Hopefully the regular uploads are evidence of my reliability. But actions speak louder than words, so in lieu of empty promises:

Missive from the writing desk: faltering

Today’s post was especially short. My apologies. In order to compensate, some updates.

I ddo have another project in the barrel, but I wish to carry out some more extensive edits before I begin posting it, as it is a far more delicate piece than my typical work.

Life has had much involvement this past week, so I have done very little writing.

I’ve been revisiting some old influences lately, reminding myself how I became myself. A person is frequently little more than a composite shaped by experiences.

Perhaps I seek to reaffirm what has become blurry.

Perhaps I dance on a stage alone, ad-libbing my lines.

Hoping for a return to routine,

Pom.

On self-inflicted wounds

Recently, I have begun a new project, one that I would classify as a comedy with psychological horror aspects. It is told from the perspective of the source of all the horror in the narrative.

An unusual repurcussion has occurred in the course of working on the aforementioned project: my own mental state, without any bidding from myself, has taken a turn for the worse. I care deeply about the project, but must admit that I am wearied by it. The thought that something I write can have such a profound effect on its own creator is both alarming and encouraging. In the past, I have typically been most productive when my mental and emotional state drive my writing.

This is perhaps the first time that setup has been turned on its head.

Incarnate will continue to release every Monday until it arrives at the final chapter. Whether this project begins to come out before it ends, or indeed if it sees the light of day at all remains to be seen. My closet is chock full of pieces that compelled me at the time, but lost their glamour before their time. The encouragement I have received while discussing the idea behind the project has compelled me to give it great effort, and the moderate success of this website has meant very much to me as well.

I hope to reach many hearts, and in addition to striking a little fear, I wish to find a little common ground there. Though if your heart touches ground, you probably aren’t in good shape to do any reading.

Bereavement: Ending Sublime

Today, the final chapter of Sublime was released. As I have said before, I wrote this story some time ago, so the real achievement is in the editing and publishing.

Indeed, I edited this final chapter a great deal before it found it’s final form. In the original iteration, the character known as Ixhem explained a great deal more, creating far too narrow an understanding of the world of the story. It also did not give him the air I wanted for him.

Ixhem, like Zenith, is a character I have extreme fondness for. He is someone who broke free from misguided attempts to control him. But unlike Zenith, he does not seek a goal comprehensible to those around him. He is a mad god, a nigh-omnipotent beast.

What are these new gods? Ixhem’s “family” forms a warped pantheon, based on poisonous ideals. Each represents a facet of a core concept, which Ixhem himself embodies.

Indeed, one future I imagined for the world of Sublime was one in which Ixhem allowed each of his kin to temporarily assume greater influence than he, and cause the core behavior of the world to align with their nature instead of his:

A reality ruled by Pathogen is one of crystalline perfection. Impurities and weaknesses are trimmed away, softness is replaced with smooth hardness. Emotion is dulled, pain is quelled, and life slows as it is sedated. Time crawls in a twilight of consciousness, driven by necessity only.

A reality centered on Fortress is one of supreme efficiency, which subjugates and annihlates the lesser with cruel hatred. The weak are forced into hiding as a psuedo-police-state forms, creating a social hierarchy resembling a familiar dystopia.

Sublime in the grip of tower becomes a grim world of fear and pain, with constant exploitation and experimentation, with little actual progress. Somewhere along the way, the suffering inherent to the process of change becomes the goal.

Ixhem represents the purity of change for the sake of change, the defiance against endings. Once upon a time, a universe existed with an expiration date, a promised end in the form of a general dimming and heating up. With Ixhem’s ascension to godhood, this fate was dispensed with. Endings ceased to exist in a real sense.

This is true of the story itself. Within the narrative are the seeds of another story, a story that begins where this one ends. The toxic hell of Sublime is not content to exist, but must invade and expand outwards.

Ixhem desires to bring his creation to every corner of existence, and beyond.

No ending is absolute.